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Nomadic Image of women in Abbasid Poetry

الصورة البدوية للمرأة في الشعر العباسي

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 Publication date 2013
  fields Arabic
and research's language is العربية
 Created by Shamra Editor




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Women occupied the foreground and background of poems. Poets wrote poems about her, describing her in detail. The technique used to depict these features that gave the poem its form is one that had been brought to existence by that era. This technique imposed on the poem the outlines so that it came out typically representative of the prevailing social status quo. The woman, in Jahili poetry, is a beautiful image by which poets decorate the beginnings of their poems. Their relationship with the woman is on one occasion defined by exalting and respect, and on the other defined by deprecation and lust. The woman in Jahili poetry is different from the woman in Umayyad or Abbasid poetry, in terms of both status and social predisposition. Although the figure of the woman dominates poetry, it dominates it in the way the era and the poet choose. As to the status and the degeneration of the woman in the Abbasid Era, the poets' points of view vary. She is no more the appraised beauty that looks like the moon's light and the sunrise. It would be of no surprise to see poems neglecting the woman, or others referring to her along with entertainment, wine and moral degeneration. The woman becomes a symbol of seduction and corruption, represented by a cunning courtesan, or a nun.


Artificial intelligence review:
Research summary
تناول البحث صورة المرأة البدوية في الشعر العباسي، حيث كانت المرأة موضوعًا رئيسيًا في الشعر العربي منذ العصر الجاهلي وحتى العصر العباسي. تميزت المرأة في الشعر الجاهلي بكونها رمزًا للجمال والتكريم، بينما في العصر العباسي، تباينت صورة المرأة بين الجمال الفائق والفساد الأخلاقي. وقد ركز الشعراء العباسيون على وصف الجمال الجسدي والمعنوي للمرأة، مستمدين صورهم من البيئة البدوية. كما تطرق البحث إلى تطور ملامح الجمال من العصر الجاهلي إلى العباسي، مع التركيز على الصفات الحسية والمعنوية للمرأة. وأشار البحث إلى أن الشعر العربي لم يقدم المرأة ككيان مساوٍ للرجل، بل رسخ الفكرة التقليدية للمرأة ككائن أدنى مرتبة. كما أكد البحث على أن الشعر العربي لم يقم بدور نقدي في تغيير هذه العلاقة، بل عززها في أذهان الناس.
Critical review
دراسة نقدية: على الرغم من أن البحث يقدم نظرة شاملة ومفصلة لصورة المرأة في الشعر العباسي، إلا أنه يفتقر إلى التحليل النقدي العميق للعوامل الاجتماعية والثقافية التي أثرت في تصوير المرأة بهذه الطريقة. كما أن التركيز الكبير على الجوانب الجمالية الجسدية قد يغفل الأبعاد الإنسانية والاجتماعية للمرأة في ذلك العصر. كان من الممكن أن يتناول البحث تأثير هذه الصور على وضع المرأة في المجتمع العباسي وكيفية انعكاسها على حياتها اليومية وحقوقها. بالإضافة إلى ذلك، لم يتناول البحث بشكل كافٍ دور المرأة كشاعرة أو كاتبة في تلك الفترة وكيفية تأثيرها على الأدب العباسي.
Questions related to the research
  1. ما هي الصورة الرئيسية للمرأة في الشعر الجاهلي؟

    المرأة في الشعر الجاهلي كانت تُصوَّر كرمز للجمال والتكريم، وكانت تُستخدم لتزيين مطالع القصائد.

  2. كيف تباينت صورة المرأة في الشعر العباسي؟

    في الشعر العباسي، تباينت صورة المرأة بين الجمال الفائق والفساد الأخلاقي، حيث أصبحت رمزًا للغواية والفساد في بعض الأحيان.

  3. ما هي الصفات الجمالية التي ركز عليها الشعراء العباسيون في وصف المرأة؟

    ركز الشعراء العباسيون على الصفات الحسية مثل الطول، بياض البشرة، الشعر الأسود، والعينين الواسعتين، بالإضافة إلى الصفات المعنوية مثل العفة والحياء.

  4. ما هي الانتقادات التي يمكن توجيهها للبحث؟

    يمكن انتقاد البحث لافتقاره إلى التحليل النقدي العميق للعوامل الاجتماعية والثقافية التي أثرت في تصوير المرأة، ولتركيزه الكبير على الجوانب الجمالية الجسدية دون تناول الأبعاد الإنسانية والاجتماعية.


References used
الجمال و الرشاقة: د. أمين رويحة. دار الأندلس للطباعة و النشر, بيروت, ط1, 1965م.
ديوان أبي العتاهية: دار بيروت, بيروت, ط1, 1986.
ديوان أبي نواس: دار صادر, بيروت, ط1, 2001.
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