Subscribe to the gold package and get unlimited access to Shamra Academy
Register a new userOriginality of the innovator and the other Matisse as an example
أصالة المبدع و الآخر ماتيس Matisse النحات مثالا
1243
1 61
0
(
0
)
Added by
Damascus University ورقة بحثية
Publication date
2014
fields
Fine Arts
and research's language is
العربية
Authors
فؤاد دحدوح( باحث )
Created by
Shamra Editor
Ask ChatGPT about the research
في هذا البحث جملة من الإيضاحات تتعلق بمسألة الأصالة، و لاسيما ما يدور حول انفتاح الفنان المبدع على ثقافة الآخر، عندما يرى أن الدائرة من حوله قد نضب معينها، و أن الطريق أمامه أضحت مسدودة، و لكن روح الفنان المبدع الرافض للواقع، أيًا كان هذا الواقع، تحمله على الذهاب إلى دائرة اللامفكر فيه بعيدًا عن جماليات مكررة سائدة وجد خلاصه بانفتاحه على ثقافات العالم Matisse " في محيطه، و تدفعه للبحث عن طريق خلاصه... و"ماتيس و حضاراته، و لاسيما الحضارة العربية الإسلامية، و متح منها بما يتفق مع أصالته و هويته، ليرسم مساحة مضيئة تخصه هو وحده في تاريخ الحضارة العالمية. و قد اقتضى عنوان البحث أن أتناول بأشد ما يمكن من الإيجاز أربع مسائل: 1- الغرب و الشرق و أزمة الفن الغربي 2- بعض الخصائص الجمالية للفن العربي الإسلامي 3- التعريف بماتيس. 4- ماتيس على برزخ المابين
This study introduces a set of explanations on originality and on what revolves around the openness of the innovator to the others' culture, when inspiration is no longer found in the surrounding and the road has become blocked. However, reality-rejection spirit drives an artist to look for new ideas away from repeated and prevalent aesthetics and pushes him to search for salvation. Matisse has found salvation through his openness to other world cultures and civilizations, especially the Islamic Arab civilization from which he extracted themes going with his originaelity. The title of this study has required as to deal briefly with four issues: 1- West And East and the crisis of the western art. 2- Some aesthetic features of Islamic Arab art. 3- Who is Matisse. 4- Matisse on the in-between isthmus.
References used
Gleick, James: Chaos theory a war of the unexpected, Dar ALsaki, Beirut, Lebanon, first edition, 2008
Bahnasi, Afif: Cultural identity between the global and globalization, Ministry of Culture Publications, 2009
غليك، جايمس: نظرية الفوضى، علم اللامتوقع، دار . الساقي، بيروت، طبعة أولى، 2008
rate research
Read More
This research handles a group of Sufi texts about nature in the sixth and seventh century of the hegira. It concentrates on the symbols and significance of nature factors, such as birds, animals and places. All of that is to show the Sufi's way of th
inking when using such factors, because they all have one indication: "GOD". Therefore, we find the Sufi either eager to meet the nature and trying to unite with the soil, or having rejection and alienation of its sensuality as an attempt to leave it, but actually it is the only direction to go. On one occasion, he deals with it as a close person to whom he belongs because of its beauty which symbolizes the beauty of God. On another occasion, he abstains from and leaves nature because he is seeking to know God, to connect with God the creator and to go back to the first uterus through neglecting the time and reaching the future by reproducing the past.
The Human society and its development has a great link with architecture that forms a phenomenon with different objectives; the most important of these are the social ones that make what is called "the built environment" that stemmed spontaneously fr
om its role in satisfying human needs, especially the social ones.
This role was reduced at the beginnings of the pervious century and the result was a separation between architecture and its community in Lattakia city as a kind of aesthetic and sensual pollution for its buildings keeping it away from its peculiarity as a living phenomenon that is linked with its era and society.
A system that moved from identifying the human architecture to strengthen the relation between humans and nature, and the relation between nature and its surrounding, the current situation and reasons that led to this separation between the urban architecture and its natural surroundings.
The research concludes with recommendations and conclusions that might be a core to re-establish the relation between the architecture and surroundings through its regaining its role.
In this research, I will deal with British
travel accounts to the Middle East around this period, attempting to
analyze their representation of the Middle Eastern landscape in the
light of Said's concept of "imaginative geography" represented in
his writings on Orientalism in Orientalism, Culture and
Imperialism and his article "Invention, Memory and Place".
This study aims at analyzing the poetic content of the poetry of an Omayyad poet who was born to a wealthy family which was so close to the Court. The objective of the study is to shed light on one of the most salient features of literary creativity
and literary masterpieces-whether poetic or prose- which is the human essence that stimulates human creativity and the doublet of this essence, that is the Other.
This study attempts to identify the most prominent subjective features in the poetry of Omar as a famous poet who became a phenomenon in the field of poetic and literary creativity through mastering flirtation poets and poetry in his era. It should be mentioned that the image of the Other in Omar’s poetry examined in this study is the image of woman which considerably resembles that image presented in the work of the majority of other poets. However, this same image varies in Omar’s poetry. Woman is represented as the chaste, beloved, and the rebellious.
This research work tackles the strange contradiction between the political
history and the literary history of the Ottoman period.
In the first history, there is a general agreement about its end at the finish
of the First World War. In the second
, it is commonly held that is end is
with the Napolyonic campaign on Egypt in 179g, but some literary
historians did not agree; despite this they used the common belief
consequently, this work notes that this problem led to two dangerous
things: first, the misunderstanding and the underestimation of the
Ottoman literature in its important objective and artistic values.
After pointing to this problem, the work tries to trace the continued
Ottoman elements in the literature of the Renaissance period. It finds out
also that this period is so active with the Ottoman reign more than any
other period. This in its turn led to the conclusion that the movement of
the late Arab literature into modern Arab literature was gradual.
Accordingly, this research work considers the First World War as the end
of the Arab literature during the Ottoman period.
Log in to be able to interact and post comments
comments
Fetching comments
Sign in to be able to follow your search criteria
