في هذا البحث جملة من الإيضاحات تتعلق بمسألة الأصالة، و لاسيما ما يدور حول انفتاح الفنان المبدع على ثقافة الآخر، عندما يرى أن الدائرة من حوله قد نضب معينها، و أن الطريق أمامه أضحت مسدودة، و لكن روح الفنان
المبدع الرافض للواقع، أيًا كان هذا الواقع، تحمله على الذهاب إلى دائرة اللامفكر فيه بعيدًا عن جماليات مكررة سائدة وجد خلاصه بانفتاحه على ثقافات العالم Matisse " في محيطه، و تدفعه للبحث عن طريق خلاصه... و"ماتيس
و حضاراته، و لاسيما الحضارة العربية الإسلامية، و متح منها بما يتفق مع أصالته و هويته، ليرسم مساحة مضيئة تخصه هو وحده في تاريخ الحضارة العالمية.
و قد اقتضى عنوان البحث أن أتناول بأشد ما يمكن من الإيجاز أربع مسائل:
1- الغرب و الشرق و أزمة الفن الغربي
2- بعض الخصائص الجمالية للفن العربي الإسلامي
3- التعريف بماتيس.
4- ماتيس على برزخ المابين
This study introduces a set of explanations on originality and on what revolves around the openness of
the innovator to the others' culture, when inspiration is no longer found in the surrounding and the road
has become blocked. However, reality-rejection spirit drives an artist to look for new ideas away from
repeated and prevalent aesthetics and pushes him to search for salvation. Matisse has found salvation
through his openness to other world cultures and civilizations, especially the Islamic Arab civilization
from which he extracted themes going with his originaelity. The title of this study has required as to
deal briefly with four issues:
1- West And East and the crisis of the western art.
2- Some aesthetic features of Islamic Arab art.
3- Who is Matisse.
4- Matisse on the in-between isthmus.
References used
Gleick, James: Chaos theory a war of the unexpected, Dar ALsaki, Beirut, Lebanon, first edition, 2008
Bahnasi, Afif: Cultural identity between the global and globalization, Ministry of Culture Publications, 2009
غليك، جايمس: نظرية الفوضى، علم اللامتوقع، دار . الساقي، بيروت، طبعة أولى، 2008
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