The /n/ is an original consonant in Hebrew and Arabic, and comparative linguistic studies confirm its originality in all Semitic languages. Due to the importance of the /n/ in the vocal structure of the Arabic word, the Quranic literature allocated
chapters to study its rules. But the importance of this consonant is not restricted to phonetics only. We have found that it has effects on the linguistic and grammatical structure of the word in both Hebrew and Arabic. Therefore, our study aims to unveil the importance of this consonant and its role in the linguistic structure of the word in both languages. To achieve this we adopted the comparative linguistic approach.
Arabic and Ugaritic languages both belong to one linguistic
origin, and are connected with similar relations that came to both from
the Proto Semitic.
The linguistic materials are precisely read from the Ugarit texts
in order to extract all joint
or non-joint features. The comparisons and
their counters in Arabic languages will be in the light of the other Semitic
languages such as Phoenician-Canaanite, Hebrew, Syriac, and Akkadian
languages.
And since the letter “M” is a linguistic sound, which plays in
other languages ( rather than Arabic) the role that letter “N” plays
grammatically in Arabic language like dual ,normal, phonetic alterations,
and in structuring verbs, names, articles and pronouns.
Such comparative linguistic study between the two languages is
indicative dictionaric and phonetic comparisons, Moreover, it is a
continuation of the old origins of phonetic structures of pronunciation in
Arabic Language, a rejection of the indicative alternations and an
extraction of the phonetic laws that control the linguistic materials which
are under those linguistic comparisons.
This study tried to stand on the phenomenon of Altarnum ،performance ،as
reflected in this phenomenon ،how to perform text linguistic and linguistic diversity of the
means ،which may be the satiation of an articulation or subsequent prolongation or
modifying and deletion.
The study concluded that Altarnum is a kind of audible performance which is
dominant in poetry. It is based on prolongation a and rewind ،to achieve homonymy during
the long tidal articulation or the use of suffix often Al- Tanween ،Altarnum ،is not limited
to the Tanween of Altarnum ،but achieved in some types of diversity in other kinds of Al-
Tanween. In Altarnum ،using Al-Tanween is legal even if it contradicts with other
grammarians' opinions ،because of Nun's value rhythmic grainy ،and systematic musical
frequencies.
The study also concluded that Altarnum which is different from
Solomon(chanting) ،which is nothing more than raising the voice without homonymy ،
which seems to replace the "Maddah" with "Noan" or bind the end of speech Soothing.
