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Register a new userصورة المرأة في شعر إبراهيم ناجي
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حاول البحث من خلال تتبعه صورة المرأة في شعر إبراهيم ناجي معرفة أهم مصادرها الفكريَّة و الأدبيَّة التي استقى منها الشَّاعر، و أثرتْ في إبداع صورتها في شعره، فضلاً عن معرفة وسائل تشكيلها، من خلال قصائده الغزليَّة.
This research aims, through following the image of the woman in Ibrahim Naji's poetry, at exploring the resources that affected its writing. This aim is fulfilled by studying his love poems, the poems .
References used
Albiati,abd alwhab:alaamal alkamila,t3,dar alawda,bireut lbnan, 1979
alshrwdi,shhab aldin amr: awarf almaarf,th:abd al halim mhmowd,mhmowd bn alshrif,dar almaarf,alkahira-mssr,d-t
alkashani,abd alrzak,magm almsstlhat alssofia,th:ab dalaal Shahin.t1,daralmnar.1992
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Many sources have urged IbnKhafajah to be so keen on woman, which had so clear
impact on his soul, and this has led him to experience love in a distinctive manner. Those
factors have overlapped with each other to form an integrated fabric, Which ha
s been
overwhelmed by the poet's passionate soul against the harbingers external reality. He hasn't
left his surroundings to escape the deteriorated political and social conditions. However, he
turned toward the depth of his soul, rebelling against those conditions and refusing them.
Throughout his artistic pictures, he has drawn his relation with woman taking from nature
his own distinctive psychological view. Therefore, woman becomes a sensory and merely
concept at the same time. He has started to gift it the most sincere and hottest emotions. So,
it has been crucial to realise the factors that which have shaped the motives of his own
experience with woman and problematic of her existence in in his poetry and his life.
IbnKhafajah's flirtatious experience and his relation with woman are to with factors
connected with political and social conditions that have distinguished his era, and others;
inner, related to his distinctive personality. These factors have helped to shape this
experience for the poet and develop and matur it.
This paper explores the image of the Eastern woman in travel
literature and the subsequent treatment of her in the Restoration and
eighteenth century drama. The study shows that the travelers’ stories and
notions of the Eastern woman’s lifestyle were adopted by the English
dramatists and sometimes incorporated in their particulars. It argues that
travel literature played a profound role in constructing the image of the
Eastern woman on the English stage, in that period, as a subjugated
lascivious ‘being’ and stresses that this very negative image was based on
the misconceptions and often ill-founded narrations of the travelers.
يتمثل الهدف الأساسي لهذه الدراسة تعرف صورة المرأة الواردة في الكتب المدرسية
الأردنية و المتمثلة في الكتب الدراسية التالية: اللغة العربية، التربية الوطنية و المدنية،
و التربية الاجتماعية و الوطنية، و العلوم، و الرياضيات للصفين الأول و السادس
الأساس
يين. استخدم منهج تحليل المحتوى و استخدمت الفكرة (الثيما) على أنها وحدة
للتحليل، و أظهرت النتائج صورة المرأة تابعة بالدرجة الأولى، في حين أظهرت
صورة الرجل مستقلة، و احتلت المرأة الوظائف التقليدية المحددة بينما احتل الرجل
الوظائف الرئيسية المتعددة و تجاهلت الأعمال الأدبية و العلمية و الفلسفية و البطولية
للمرأة في حين ظهر دور الرجل واضحاً في هذه المجالات. و لم يتم تفعيل اللغة
بصورة جندرية محايدة و منهجية، و أوصت الباحثة بتفعيل دور النظام التعليمي في
تعزيز الصورة الإيجابية للمرأة و مكانتها في الأسرة و المجتمع، و دورها في التنمية
الاجتماعية و تمثيلها في جميع المؤسسات لتزيل مظهر التمييز بين الجنسين مع مراعاة
الأولويات و ضمان مشاركة كلا الجنسين في القطاعين الخاص و العام.
Woman has received a great importance since the dawn of
history; therefore, she reached in ancient civilizations the status of
sanctity and divinity, she moved from a specific denotation to
another throughout the march of Arabic poetry until she r
eached
the image of the independent woman in the Arabic Renaissance,
and afterwards she turned into a symbol, a dream in contemporary
Arabic poetry.
Various are the images of women in Muhammad Al-Maghout's
poetry, prominent of which are perhaps: woman as a beloved, as
a harlot, a mother, a wife, a daughter and a symbol-dream, thus
proceeding from describing woman sensually to metaphorically,
depending upon several techniques such as the paradox, surprise
and flashback and others.
Behind these there is a personality characterized by suffering
alienation and lack of emotional self-fulfillment, and we find that
woman in his eyes is not a mere beauty, but someone who makes
the four directions one, namely, woman is love, leniency, a warm
haven and liberty.
Our old poetry is still attracting us by its meaning, structure and pectorial methods, and it
opens up in front of us prospects of study and research.
How much the researchers studied its solid peaks, and they are still discovering in its
hidings
a lot and new things. When ever they read deeply and they saild in its hidden and
mysterious waves, and our heritage is rich with the poetry of unknown poets who are still
forgetten for many reasons.
Giran Al-oud Al-Numyrie is one of the poets who didn’t write largely which we stopped to
study them, and his poetry drew our attention by its different subjects. What was found of
the distinct technical and rhetorical properties, and the poetry for woman drew our
attention, He was a poet of flirtation and description by describing woman excessively. He
succeeded in portraiting the woman and he had his own experience with her. We wanted to
remove what is unknown a bout this poet, and his life and stop to think a bout the woman
in his poetry. We can discern the variety of photos discriptions which he presented for the
woman, and we can feed the effect of environment and Culture and his personal life of the
poet in riching his poetic experience and nourishing his imagination .
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