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Register a new userSelf-Identity: Proper Name, Proper Place, and Property in Chopin's Neg Creol, Beyond the Bayou, and, The Story of an Hour
هوية الذات: الاسم الخاص، المكان الخاص، و الملكية في قصص كيت شوبان: نيغ كريول، خلف البايو و قصة ساعة
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Damascus University ورقة بحثية
Publication date
2002
fields
English
and research's language is
العربية
Authors
نظمي توفيق الشلبي( باحث )
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Shamra Editor
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تهدف هذه الدراسة إلى بيان أن فكرة هوية الذات (هوية الفرد) تمثل عنصرًا رئيسًا في قصص كيت شوبان ، نيغ كريول و خلف البايو و قصة ساعة، و تعكس معالجة شوبان لهذه الفكرة اعتقادها بأهمية الهوية و تكشف عن أُطر الطغيان التي تفرض أسماء أو ألقابًا على الضحايا، كما تثير تساؤلات كثيرة عن المؤسسات. يقال: إن الأسماء الخاصة و الأماكن الخاصة و الملكية ذات أهمية بوصفها دلائل على الهوية و المركز الاجتماعي اللذين تنكرهما أطر الطغيان على الفقراء/المحرومين انتهاكًا لحقوقهم متعمدًة إبقاءهم هكذا. يتضح أن الهوية مهمة لوجود الإنسان و أعظم شأنًا من الحب و جديرة بأن يُسعى إليها بغض النظر عن الصعوبات التي تخلقها قوى الطغيان و التي تتعرض ممارساتها للتساؤل.
The purpose of this study is to show that the theme of selfidentity is a staple in Kate Chopin's Neg Creol, Beyond the Bayou, and The Story of an Hour, and that Chopin's treatment of this theme reflects her belief in the vitality of identity, uncovers the structures of oppression that impose certain designations on victims, and raises a lot of questions about institutions. It is argued that proper names, proper places, and property are significant as markers of identity and social status, which the underprivileged are denied due to the oppression by power structures that violate their rights in order to keep them so. Identity is demonstrated as being central to one's existence, superior to love, and worthy of being sought, regardless of the difficulties created by power structures whose practices are called into question .
References used
Bauman, Z. Postmodernity and Its Discontents. New York: New York UP, 1997
Burns, Tom. "Non -Verbal Communication" in Contemporary Readings in General Psychology. Ed. Robert S. Daniel. Boston: Houghton Mifflin Co. , 1959 . pp.332-335
Byrd, Linda J. "Maternal Influence and Children in Kate Chopin’s Short Fiction" USA, 1999
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weights without a ya'a, then I showe
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ratio of changes, and I explained the judgment change because it is the
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