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صورة الغرب في الأدب العربي رواية ( فياض)، لخيري الذهبي نموذجاً

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 Publication date 2006
and research's language is العربية
 Created by Shamra Editor




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References used
العسكر، فهد، الصورة الذهنية محاولة لفهم واقع الناس والأشياء، الرياض، دار . طويق، 1993
عجوة، علي، العلاقات العامة والصورة الذهنية، عالم الكتب، ط1 1983
عبود، عبده، الأدب المقارن، مدخل نظري ودراسات تطبيقية، حمص، منشورات . جامعة البعث، 1993

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This paper views folk literature as one of acceptability and of rejection at the same time. It is also concerned with the dramatic dimension of the art of lullaby in classical Arabic literature because choreography was associated with the art of si nging all along, and lullabies are considered an example of their combination, because they were arranged in accordance with a choreographic effect. And, since movement is the basis of drama, there follows the relation between lullabies and drama. This paper examines this subject in terms of the following mechanism: -Identifying the terms which will form the pivot of this paper. - The dramatic content of these lullabies - The characteristics of dramatic discourse This study stems from the idea that every discourse has a counter- discourse, and that every thought has its counter–thought. Thus, what is the relation between voice and thought on the one hand, and what are the dramatic discursive interactions in these lullabies on the other?
يعد تلقي الآداب القومية خارج حدودها اللغوية و الثقافية ميدانًا عريقًا من ميادين الدراسات الأدبية المقارنة و بعدًا مهمًا من أبعاد العلاقات الثقافية الدولية. و ينطبق ذلك على تلقي الأدب العربي الحديث في الأقطار الناطقة بالألمانية (جمهورية ألمانيا الا تحادية و النمسا و سويسرا)، التي تشكل أكبر تجمع قومي و لغوي داخل أوروبا الغربية. إلا أن الجهود العلمية التي بذلت على صعيد دراسة هذا الموضوع ما زالت في بدايتها، و قد ندب الباحث نفسه للمساهمة في تلك الجهود. يتألف بحثه من مقدمة بين فيها مسوغات البحث و حدوده و منهجيته المستندة إلى نظرية التلقي، ثم من عرض تاريخي و تحليلي لبدايات تلقي الأدب العربي الحديث في الأقطار الناطقة بالألمانية من خلال ترجمة مختارات قصصية و شعرية عربية إلى الألمانية، و هو نمط من التلقي حافظ على أهميته إلى يومنا هذا.
This paper aims at studying the relationship between vision and dream literature. This paper takes as a starting point the notion that dream literature is a vision literature because it carries connotations and various culrural subtexts. It consider s dream literature in cultural subtexts since it overlaps with political, epistemological, aesthetic and marginalized subtexts. It also views dream literature as an open literary text which overlaps with other genres. This paper examines the functions of dream literature in terms of its affinity with vision and genre.
The main purpose of the study is to show the rank of Arabic - as unexampled phenomenon - and It's literature both in poetry and prose in Iran , especially in gorgan who was peer to Isfahan in the fourth and the fifth Centries of Hejira. The Arabi c poetry captured the writer's minds and hearts in Gorgan which was an asylum to most poets and intellects. Thus, lilerature forums attracted some of them such as Alsaheb bn Abbad who came from Isfahan to destroy its king kabus bn Washimkeer who was a poet and a writer. The Influence of Arabic literature emerged clearly in the persian poetry in form and content. In addition, this effect also appeared obviously in Gorgan's poetry which was versified in Arabic using aductile style once, Al Bayroony said:''Satire in Arabic is more preferable to praise in Persain''.
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