Subscribe to the gold package and get unlimited access to Shamra Academy
Register a new userArabic Literature in Fourth and Fifth Century Hejire - Gorgan As Example
الشعر العربي في إيران في القرنين الرابع و الخامس الهجريين - جرجان نموذجاً
1896
0 16
0
(
0
)
Authors
فخري بوش( باحث )
Created by
Shamra Editor
Ask ChatGPT about the research
هدف البحث إلى الكشف عن مكانة اللغة العربية التي عد انتشارها ظاهرة عجيبة لن تتكرر في التاريخ - و أدبها شعراً، و نثراً في إيران؛ و خاصة جرجان التي كانت صنو أصفهان في القرنين الرابع و الخامس الهجريين، حيث أسر الشعر العربي قلوب الأدباء في جرجان التي كانت موئلاً لمجالسهم الأدبية التي تجمع كبار المثقفين، و المفكرين، و الشعراء، و قد استقطبت بعضهم من المراكز الأدبية الأخرى، مثل الصاحب بن عباد القادم من أصفهان للقضاء على ملكِها، و أديبها، قابوس بن وشمكير، حيث ظهر تأثير الشعر العربي في شكله ، و مضموناته جلياً في الشعر الفارسي، و في الشعر العربي الذي نظمه الشعراء الجرجانيون باللغة العربية؛ لغة الحضارة، و العلم، و الأدب، و يعبر عن ذلك البيروني، بقوله: " الهجو بالعربية أحب إلي من المدح بالفارسية " .
The main purpose of the study is to show the rank of Arabic - as unexampled phenomenon - and It's literature both in poetry and prose in Iran , especially in gorgan who was peer to Isfahan in the fourth and the fifth Centries of Hejira. The Arabic poetry captured the writer's minds and hearts in Gorgan which was an asylum to most poets and intellects. Thus, lilerature forums attracted some of them such as Alsaheb bn Abbad who came from Isfahan to destroy its king kabus bn Washimkeer who was a poet and a writer. The Influence of Arabic literature emerged clearly in the persian poetry in form and content. In addition, this effect also appeared obviously in Gorgan's poetry which was versified in Arabic using aductile style once, Al Bayroony said:''Satire in Arabic is more preferable to praise in Persain''.
References used
إبراهيم الأحدب :كشف المعاني والبيان عن رسائل بديع الزمان، دار التراث، بيروت.
إبراهيم الدسوقي شتا، المعجم الفارسي الكبير، القاهرة، مكتبة مدبولي، ط 1992 ،1 م.
rate research
Read More
Levant was always expressive of travelling to Egypt, through it over invaders and
conquerors alike, so we find when all authorities and successive States in Egypt taken to
extend their power and influence to the Levantine homes, whom the Fatimids,
After
Fatimids control Egypt, even started their campaigns to Levant to expand and ensure their
security and stability, and that it did not cover over Levant interior but coastline featuring
many important metropolises, Such as the cities of Sidon, Tripoli and Latakia and other
vulnerable coastal centers, And that desire to expand into the Levant and it’s coast had her
collision with the Byzantines and their wide influence at Levant and the Levantine
coastline, Both of them had felt in the security stations its observers Levant coast
guaranteed invasion again as if the internal influence any destabilization or scaling, Which
they necessitated the military clash in a lot of times, As the influence of the parties on that
coast was between highs and lows, and subject to many considerations including domestic
situation and stability enjoyed by each other.
The search treatsAportrait of the al-Gazera al-Foratuh and Bilad al-Sham in the fifth
ALhagrah century/ The eleventh century AD, as Nasirkhusraw introduced it in his journey
(book of travels) "Safar- nama". He explains his travelling line that tour
between that
Countries and he was revealing the position of life through his passing in those cities and
Countries. He introduced important, various and documentary information in different
sides. There was record for some historical news, he appeared the political situation there
and for some civilized works for the being rulers in some areas.
He showed much of the civilized sides, which gave light to the many numbers of the
populated positions as the positions of the cities, their doors, towards, markets and their
different, military, civilized, religion building and the carvings of that building and their
mosaic. As they explain the sources of waters in each area whereas of rivers or of springs
or the wells or of rain waters and the others. As the framings of trees and plants,
occupations and hobbies, and the important commercial centers, coins and the libras, and
some materials for trading in them. As they contain some social information, and some
population in some cities and the religion in those areas, avisit to the holy places, some
being habits and beliefs there and another thing.
This paper aims at analyzing and studying the phenomenon of
melancholy (sadness) in modern Arabic poetry since it is a feature that, unlike in ancient Arabic poetry, we can come across in most modern poetic writings. The paper distinguishes between
the sadness of an ordinary man and that of a creative writer who shows a special sensitivity and can turn his sadness into something creative and can express it in his writings. In this study, the researcher refers to the most eminent critical points of view that dealt with the phenomenon of melancholy in modern Arabic poetry. For example, Dr. Ezzuddeen Ismail’s philosophy and opinion in this respect are referred to especially that he links and compares between Arab poets and their European counterparts concerning the subject of expressing sadness in their poetry. Likewise, Dr. Ismail refers to the affinity between sadness in Arabic poetry and some prose writings that became known in the Arab culture due to the connection with the Western culture. The paper discusses these points of view and concludes, through analysis of poetic examples, that there are two reasons for expressing sadness in poetry: First, personal reasons that the poet has due to an illness, a poverty, or expatriation. Second, national reasons that have to do with the status and condition of the Arab Nation in modern times especially the political, social, and economic trouble and crises.
Being a hybrid, hyphenated literature, Arab-American Literature,
which attempts to articulate the identity of its producer, exhibits wide
ranging references to its Arabic and Islamic background. Surveying a
vast corpus of Arab-American writings, t
he present paper demonstrates
the overwhelming presence of Arabic and Islamic culture in such
writings, discussing its various textual forms and, thus, confirming the
Arabic component of Arab-American identity.
This paper aims at studying the relationship between vision and dream literature. This paper takes as a starting point the notion
that dream literature is a vision literature because it carries connotations and various culrural subtexts. It consider
s dream literature in cultural subtexts since it overlaps with political, epistemological, aesthetic and marginalized subtexts. It also views
dream literature as an open literary text which overlaps with other genres. This paper examines the functions of dream literature in
terms of its affinity with vision and genre.
Log in to be able to interact and post comments
comments
Fetching comments
Sign in to be able to follow your search criteria
