The search deals important technigue of technigues semantic
displacement, As one of the greatest poetic image tools for, Her
ability to portray the inner feelings, It is type of applied stylistic
studies.
The purpose of this research is to develop and use two generalized Rational Models (GRM I,
GRM II), each of which is a realizable mathematical model, not available with other models, and
we will demonstrate its utility and applicability on a large
scale, compared to other ( -shaped)
models, and converging well.
Rationality is by far the luckiest philosophical concept in so far as its controversial status is concerned. It is also one of the terms most liable to rejection, criticism and analysis. Hence, our paper is an attempt to unscramble the controversy re
lating to tuning the term of rationality into a concept that denotes multiple significations in the era of modern philosophy, and which are considered the real foundation of what today's world has reached in its intellectual, scientific and social aspects.
According to this terminological and conceptual context, we have tried in this paper to shed special light on the genealogy of the concept of rationality, its origins and evolution as a trend in modern European thought, given that it is a signifier that denotes the priority of the mind, and which derives from various meanings that are complementary at times, yet contradictory at others, whereby carrying multiple significations, that vary in accordance with its field of use. With a certain degree of special attention, we have also tried to glean some of the most basic meanings associated with the term of rationality. We hope that this way we may be able to clarify the obscurity that engulfs the term, something which has caused its ambiguity, and thus our confused understanding of the philosophy of modernity.
The modern revolution in Fine Arts started by rationality used for building the new form, and
it started by emotionality and sensuality in style by forming eyeglass image in the physical
reality.
The painting was a tangible declaration from the ab
stract thinking.
The reason could be the motivation to control the sensuality, to decompose the information,
and to explore the results.
It uses comparison of the new information for changing the construction of real form, and
transfiguring it by the senses from imitation, to produce new forms as imagined by the painter.
This reason is influenced by the new schools of Fine Arts, like: Impressionism, Cubism,
Surrealism, and abstraction.
Assabihas the ability to form his story in a narrative strong
style . He passes his thought through it as if you see it in front
of your eyes. This returns to the connection between its
narrative components that he well organized its structure .He
makes every component of them : Personality, Time, Place ,
Incident and a narrator that are doing his private role . The
time appears to him with the figure that helps the incident to
express the components of the story using the different time
techniques of: Summary, omitting , retrieve , raise and
caesura/ pause through description .So this component appears
to be a useful instrument between the hands of a professional
writer.