This research studies the poetic necessity according to the critics who were interested
in poetry, and wrote criticized books chose between poetry and poets , and classified
poetry into section , depending on meaning and pronunciation .
Critics em
phasized the unique nature of poetry ,this uniqueness made the poets
question what was against then rules making apologies for it to keep it accepted .
Critics looked at poetry as another level of expression and approved it with terms and
conditions , such as / shame / judgement and poetry phenomena , such of it according to
necesseties , critics had different views about necessities , some refused it , and described
as ugliness that fades away by words water , while others approved it .
Whatever opinion have the critics about necessities , it is aphenomenon that took
their attention , some wrote whole books , and others chapters .
In most cases , no one called it as mistake , and the lasting effect of poetry that has
necessities keep it approved .
Hamed Hassan belongs to a generation of poets who grew up according to the
conventions of Classicism in Arabic poetry. He was also a contemporary of the fascination
of Romantic originality represented by its elite. He was, thus, influenced by the c
reativity
of both schools, and he mixed their artistic values to an extent with which it became so
hard to determine to which school he belonged.
This study endeavors to shed light on the romantic features of the poet's
creativity. This occurs through the artistic image which is serious and full of human
emotions. In addition to that the poetic diction is characterized by unique coinage. Poetic
musicality implies external as well as internal dimensions. The artistic vision which cannot
be overlooked , appears clearly in the poet’s rejection of the existing reality and replacing
it with another reality which can be fictious or ideal or both. All of this appears in his
romantic poems which centre on love and emotional adventures.
