Find sheds light on the problem perhaps more importantly, the total problems that we find in the history of philosophy , and is not a problem of nature Our research is trying to explore the meaning of the nature of the Beginnings, As we will try to,
In this research dealt with the nature of the problem of the two sides Systematic and cognitive To find out the key points of the nature of the problem when the philosophers of the seventeenth century To try to adjust the nature of the problem in its historical context As we will try in this research shed light on the relationship between nature and other problems In the philosophy of Hegel, such as the relationship , for example, between nature and logic, nature and absolute idea. Is Hegel was able to solve the problem of nature and its relationship with the various aspects of his philosophy؟ Or is it Al this problem and do so by him Kant There is also in our many other problems discussed by Hegel with nature problem.
Every era has its own intellectual and social dimensions the influence of which extend to
touch the artistic topics in terms of creativity and production conditions. The religious belief
is considered as an important effect on the whole historicall
y-successive artistic process. The
oppression exercised by the religious authority on creativity has always been present, but in
forms that differ from an era to another.
Viewing the religious theme embodied in art works, we will recognize that vast area achieved
throughout ages.
At early stages art rested on primitive, mysterious magic-based beliefs. Then art introduced a
physical representation of the images of the national gods and religious beliefs that used to
give explanations about the universe and glorify kings. Clergymen, then, started to identify
the boundaries and function of art in a way that served their goals. Christian religious men
continued to employ art for the sake of their messages and teachings with a controversy over
the role and limits of art. On the other side, Islamic art expanded but it neither served belief
nor subject to any religious guidance. With certain spiritual nature, such Islamic art might
have sought to avoid prohibition fatwas.
Finally, art could not be freed from religion scopes until Renaissance had come with its
human and mental spirit.
