This research aims at handling the images of natural setting manifested in the Umayyad poetry , especially those reflected throughout the political and social changes of that era, leaving an obvious effect on the poet himself and subsequently on his
creative production and formation of the natural setting . For the poet would take his material out of the static realities of the natural setting, being the setting that has remained intact out of man's hand and formation – which includes deserts , mountains , scenery and rivers … etc – The poet then modefies an image of the natural setting using his imagination in accordance to his sights and mentality .
Murals are one of the techniques of delineation, which was influenced by Hantine
and Sassanian in fluencies. They been their independence in the Umayyad period to
maturity in the Abbasid era.
The Levant was one of the centers of creativity for the
se drawings implemented
in a mosaic and frisco. The drawing are important documents in history,arecord of daily
life and evidence of settlement.to know the properties of the wall paintings, it is necessary
to study the drawings which were implemented in the mosaic and in Frisco. There fore, the
focus was on important bulding that included the drawing in mosaic such as the Dome the
Rock and theUmayyad mosquen and the khirbat al-mfjar palace. And the drawing in frisco
such as Omra palase and palase of western Hier.
