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This paper aims to illustrate the effect of the textual power in the esthetics of the poetry text, its concepts and the dimension of this effect in the light of psychological reading of the pre-Islamic poetry. We seek to preeminence the text effect in the receiver who uses his psychological tools to find out about the author self, appealing for the tension power that was assembled by the text of the pre-Islamic poetry, and depending on the poeticalness of the pre- Islamic figure in order to obtain the esthetics effect that attracts the receiver and demonstrates the esthetics of the pre-Islamic poetry text and its riches. The pre-Islamic poetry was not merely an artistic formulation, but it was a position, thought and expression from the depths of the poet Al-Jahali, in which the da'al floats, and the meaning falls away, so we get a flexible aesthetic dimension, after it reveals that the pre-Islamic poetry exceeded and surpassed; Their poems included a special vision of their mental state.
The research in the literary work relationship in the inner world of the pre-Islamic poet is a sense of special emotion and embodies a unified feeling emanating from within the poetic text. Many Jahiliyya texts carry a psychological thread that com bines them. , And this psychological unit draws its energy from the isotopes loaded with emotional signals that deepen the horizon of expectation, and make the receiver compatible with the poetic state of the creator of the text.
The interpretation of my reading art is based on the transition from the direct meaning in the apparent form to the indirect meaning in the implicit pattern, and verbal functions, images, and loaded structures are strongly suggestive. The critics of pre-Islamic poetry have enriched the old literature, adding to it the dimensions of literacy, and their interpretations of psychological meanings and profound semantics, indicating beyond the apparent textual levels, to various explanatory meanings, gave the textual poetry poetic content another poetry is the receipt. The interpretations of the critics presented a variety of purposes, based on the linguistic explanation, and the will of the poet at other times. The opinion of the reader and his convictions may intervene in this position, but they are interpretations, regardless of their degree of credibility or persuasion. They presented modern thought and opened up new texts. Jahili with a different vision.
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