This research is based on deconstructing the mechanism of the hidden system of term, in its analytical applications on the two modes (virility / femininity) in Al-Ghathami's cultural criticism. In order to reveal the problems of this monetary term th
at those concerned with cultural criticism in general, or criticism of Al-Ghathami's production in particular. They are problems that can be classified into three types. The first is the paradox / contradiction, which is when there are two texts of Al- Ghathami in one subject, and they are opposite or contradictory, i.e. transcribing one another. The second problem is the problem of play, and it is the text that carries another reading other than the reading of food, which the recipient can memorize through the tools of cultural criticism and its mechanisms themselves. The third type is the problem of sin, which is the text that carries a critical connotation that contradicts and abolishes the cultural criticism mechanism.
The interpretation of my reading art is based on the transition from the direct
meaning in the apparent form to the indirect meaning in the implicit pattern, and verbal
functions, images, and loaded structures are strongly suggestive.
The critics
of pre-Islamic poetry have enriched the old literature, adding to it the
dimensions of literacy, and their interpretations of psychological meanings and profound
semantics, indicating beyond the apparent textual levels, to various explanatory meanings,
gave the textual poetry poetic content another poetry is the receipt.
The interpretations of the critics presented a variety of purposes, based on the
linguistic explanation, and the will of the poet at other times. The opinion of the reader and
his convictions may intervene in this position, but they are interpretations, regardless of
their degree of credibility or persuasion. They presented modern thought and opened up
new texts. Jahili with a different vision.
