Could art Budaiya to find a prominent place in the media rhetoric belonging to the
artistic statement and meanings, This art was soon later to become an art in itself exists
independently, However, the difficulty of the configuration process and th
e evolution of
the hand, Great development of the long-arts Budaiya after entering the field of rhetoric on
the other hand, This led to the rhetorical differences on the labels of many of these arts, As
well as on the enrollment of some magnificent arts and other arts, as annexation
Epanalepsis to Echoing. Or make the opposite switch kind of the Epanalepsis. And other
confusion in terminology and the complexity of the labels. The Epanalepsis and one of
those arts that revolved around the views rhetorical. It is the art of repetition texture Bdiei,
However, this repetition does not stop at the level of vocabulary words, Nor the characters
and movements, But beyond that to form the most present in the line of poetry rhythmic
and semantic side, This research will talk about those semantic and rhythmic aspects of
this art, And through the application addressed to the poems Andalusian(Ahmad ibn Abd
Rabbo,246-328), That was the rhythms and tonalities export Remember well attended by
it.
