اشترك بالحزمة الذهبية واحصل على وصول غير محدود شمرا أكاديميا
تسجيل مستخدم جديدOptimal Embedding Calibration for Symbolic Music Similarity
114
0
0.0
(
0
)
اسأل ChatGPT حول البحث
ﻻ يوجد ملخص باللغة العربية
In natural language processing (NLP), the semantic similarity task requires large-scale, high-quality human-annotated labels for fine-tuning or evaluation. By contrast, in cases of music similarity, such labels are expensive to collect and largely dependent on the annotators artistic preferences. Recent research has demonstrated that embedding calibration technique can greatly increase semantic similarity performance of the pre-trained language model without fine-tuning. However, it is yet unknown which calibration method is the best and how much performance improvement can be achieved. To address these issues, we propose using composer information to construct labels for automatically evaluating music similarity. Under this paradigm, we discover the optimal combination of embedding calibration which achieves superior metrics than the baseline methods.
قيم البحث
اقرأ أيضاً
Score-based generative models and diffusion probabilistic models have been successful at generating high-quality samples in continuous domains such as images and audio. However, due to their Langevin-inspired sampling mechanisms, their application to
discrete and sequential data has been limited. In this work, we present a technique for training diffusion models on sequential data by parameterizing the discrete domain in the continuous latent space of a pre-trained variational autoencoder. Our method is non-autoregressive and learns to generate sequences of latent embeddings through the reverse process and offers parallel generation with a constant number of iterative refinement steps. We apply this technique to modeling symbolic music and show strong unconditional generation and post-hoc conditional infilling results compared to autoregressive language models operating over the same continuous embeddings.
Symbolic music understanding, which refers to the understanding of music from the symbolic data (e.g., MIDI format, but not audio), covers many music applications such as genre classification, emotion classification, and music pieces matching. While
good music representations are beneficial for these applications, the lack of training data hinders representation learning. Inspired by the success of pre-training models in natural language processing, in this paper, we develop MusicBERT, a large-scale pre-trained model for music understanding. To this end, we construct a large-scale symbolic music corpus that contains more than 1 million music songs. Since symbolic music contains more structural (e.g., bar, position) and diverse information (e.g., tempo, instrument, and pitch), simply adopting the pre-training techniques from NLP to symbolic music only brings marginal gains. Therefore, we design several mechanisms, including OctupleMIDI encoding and bar-level masking strategy, to enhance pre-training with symbolic music data. Experiments demonstrate the advantages of MusicBERT on four music understanding tasks, including melody completion, accompaniment suggestion, genre classification, and style classification. Ablation studies also verify the effectiveness of our designs of OctupleMIDI encoding and bar-level masking strategy in MusicBERT.
A key aspect of machine learning models lies in their ability to learn efficient intermediate features. However, the input representation plays a crucial role in this process, and polyphonic musical scores remain a particularly complex type of inform
ation. In this paper, we introduce a novel representation of symbolic music data, which transforms a polyphonic score into a continuous signal. We evaluate the ability to learn meaningful features from this representation from a musical point of view. Hence, we introduce an evaluation method relying on principled generation of synthetic data. Finally, to test our proposed representation we conduct an extensive benchmark against recent polyphonic symbolic representations. We show that our signal-like representation leads to better reconstruction and disentangled features. This improvement is reflected in the metric properties and in the generation ability of the space learned from our signal-like representation according to music theory properties.
We present a new approach to harmonic analysis that is trained to segment music into a sequence of chord spans tagged with chord labels. Formulated as a semi-Markov Conditional Random Field (semi-CRF), this joint segmentation and labeling approach en
ables the use of a rich set of segment-level features, such as segment purity and chord coverage, that capture the extent to which the events in an entire segment of music are compatible with a candidate chord label. The new chord recognition model is evaluated extensively on three corpora of classical music and a newly created corpus of rock music. Experimental results show that the semi-CRF model performs substantially better than previous approaches when trained on a sufficient number of labeled examples and remains competitive when the amount of training data is limited.
This paper proposes a serialized multi-layer multi-head attention for neural speaker embedding in text-independent speaker verification. In prior works, frame-level features from one layer are aggregated to form an utterance-level representation. Ins
pired by the Transformer network, our proposed method utilizes the hierarchical architecture of stacked self-attention mechanisms to derive refined features that are more correlated with speakers. Serialized attention mechanism contains a stack of self-attention modules to create fixed-dimensional representations of speakers. Instead of utilizing multi-head attention in parallel, the proposed serialized multi-layer multi-head attention is designed to aggregate and propagate attentive statistics from one layer to the next in a serialized manner. In addition, we employ an input-aware query for each utterance with the statistics pooling. With more layers stacked, the neural network can learn more discriminative speaker embeddings. Experiment results on VoxCeleb1 dataset and SITW dataset show that our proposed method outperforms other baseline methods, including x-vectors and other x-vectors + conventional attentive pooling approaches by 9.7% in EER and 8.1% in DCF0.01.
سجل دخول لتتمكن من نشر تعليقات
التعليقات
جاري جلب التعليقات
سجل دخول لتتمكن من متابعة معايير البحث التي قمت باختيارها
