ﻻ يوجد ملخص باللغة العربية
We present a feature engineering pipeline for the construction of musical signal characteristics, to be used for the design of a supervised model for musical genre identification. The key idea is to extend the traditional two-step process of extraction and classification with additive stand-alone phases which are no longer organized in a waterfall scheme. The whole system is realized by traversing backtrack arrows and cycles between various stages. In order to give a compact and effective representation of the features, the standard early temporal integration is combined with other selection and extraction phases: on the one hand, the selection of the most meaningful characteristics based on information gain, and on the other hand, the inclusion of the nonlinear correlation between this subset of features, determined by an autoencoder. The results of the experiments conducted on GTZAN dataset reveal a noticeable contribution of this methodology towards the models performance in classification task.
We present a new approach to harmonic analysis that is trained to segment music into a sequence of chord spans tagged with chord labels. Formulated as a semi-Markov Conditional Random Field (semi-CRF), this joint segmentation and labeling approach en
Time-aligned lyrics can enrich the music listening experience by enabling karaoke, text-based song retrieval and intra-song navigation, and other applications. Compared to text-to-speech alignment, lyrics alignment remains highly challenging, despite
Frequency Response Functions (FRFs) are one of the cornerstones of musical acoustic experimental research. They describe the way in which musical instruments vibrate in a wide range of frequencies and are used to predict and understand the acoustic d
Music source separation with deep neural networks typically relies only on amplitude features. In this paper we show that additional phase features can improve the separation performance. Using the theoretical relationship between STFT phase and ampl
Existing music recognition applications require a connection to a server that performs the actual recognition. In this paper we present a low-power music recognizer that runs entirely on a mobile device and automatically recognizes music without user