Subscribe to the gold package and get unlimited access to Shamra Academy
Register a new userResponsive Action-based Video Synthesis
97
0
0.0
(
0
)
Added by
Corneliu Ilisescu
Publication date
2017
fields
Informatics Engineering
and research's language is
English
Ask ChatGPT about the research
No Arabic abstract
We propose technology to enable a new medium of expression, where video elements can be looped, merged, and triggered, interactively. Like audio, video is easy to sample from the real world but hard to segment into clean reusable elements. Reusing a video clip means non-linear editing and compositing with novel footage. The new context dictates how carefully a clip must be prepared, so our end-to-end approach enables previewing and easy iteration. We convert static-camera videos into loopable sequences, synthesizing them in response to simple end-user requests. This is hard because a) users want essentially semantic-level control over the synthesized video content, and b) automatic loop-finding is brittle and leaves users limited opportunity to work through problems. We propose a human-in-the-loop system where adding effort gives the user progressively more creative control. Artists help us evaluate how our trigger interfaces can be used for authoring of videos and video-performances.
rate research
Read More
Human action recognition is an active research area in computer vision. Although great process has been made, previous methods mostly recognize actions based on depth data at only one scale, and thus they often neglect multi-scale features that provide additional information action recognition in practical application scenarios. In this paper, we present a novel framework focusing on multi-scale motion information to recognize human actions from depth video sequences. We propose a multi-scale feature map called Laplacian pyramid depth motion images(LP-DMI). We employ depth motion images (DMI) as the templates to generate the multi-scale static representation of actions. Then, we caculate LP-DMI to enhance multi-scale dynamic information of motions and reduces redundant static information in human bodies. We further extract the multi-granularity descriptor called LP-DMI-HOG to provide more discriminative features. Finally, we utilize extreme learning machine (ELM) for action classification. The proposed method yeilds the recognition accuracy of 93.41%, 85.12%, 91.94% on public MSRAction3D dataset, UTD-MHAD and DHA dataset. Through extensive experiments, we prove that our method outperforms state-of-the-art benchmarks.
Videos of actions are complex signals containing rich compositional structure in space and time. Current video generation methods lack the ability to condition the generation on multiple coordinated and potentially simultaneous timed actions. To address this challenge, we propose to represent the actions in a graph structure called Action Graph and present the new ``Action Graph To Video synthesis task. Our generative model for this task (AG2Vid) disentangles motion and appearance features, and by incorporating a scheduling mechanism for actions facilitates a timely and coordinated video generation. We train and evaluate AG2Vid on the CATER and Something-Something V2 datasets, and show that the resulting videos have better visual quality and semantic consistency compared to baselines. Finally, our model demonstrates zero-shot abilities by synthesizing novel compositions of the learned actions. For code and pretrained models, see the project page https://roeiherz.github.io/AG2Video
Dance and music are two highly correlated artistic forms. Synthesizing dance motions has attracted much attention recently. Most previous works conduct music-to-dance synthesis via directly music to human skeleton keypoints mapping. Meanwhile, human choreographers design dance motions from music in a two-stage manner: they firstly devise multiple choreographic dance units (CAUs), each with a series of dance motions, and then arrange the CAU sequence according to the rhythm, melody and emotion of the music. Inspired by these, we systematically study such two-stage choreography approach and construct a dataset to incorporate such choreography knowledge. Based on the constructed dataset, we design a two-stage music-to-dance synthesis framework ChoreoNet to imitate human choreography procedure. Our framework firstly devises a CAU prediction model to learn the mapping relationship between music and CAU sequences. Afterwards, we devise a spatial-temporal inpainting model to convert the CAU sequence into continuous dance motions. Experimental results demonstrate that the proposed ChoreoNet outperforms baseline methods (0.622 in terms of CAU BLEU score and 1.59 in terms of user study score).
With the development of advanced communication technology, connected vehicles become increasingly popular in our transportation systems, which can conduct cooperative maneuvers with each other as well as road entities through vehicle-to-everything communication. A lot of research interests have been drawn to other building blocks of a connected vehicle system, such as communication, planning, and control. However, less research studies were focused on the human-machine cooperation and interface, namely how to visualize the guidance information to the driver as an advanced driver-assistance system (ADAS). In this study, we propose an augmented reality (AR)-based ADAS, which visualizes the guidance information calculated cooperatively by multiple connected vehicles. An unsignalized intersection scenario is adopted as the use case of this system, where the driver can drive the connected vehicle crossing the intersection under the AR guidance, without any full stop at the intersection. A simulation environment is built in Unity game engine based on the road network of San Francisco, and human-in-the-loop (HITL) simulation is conducted to validate the effectiveness of our proposed system regarding travel time and energy consumption.
To unfold the tremendous amount of audiovisual data uploaded daily to social media platforms, effective topic modelling techniques are needed. Existing work tends to apply variants of topic models on text data sets. In this paper, we aim at developing a topic extractor on video transcriptions. The model improves coherence by exploiting neural word embeddings through a graph-based clustering method. Unlike typical topic models, this approach works without knowing the true number of topics. Experimental results on the real-life multimodal data set MuSe-CaR demonstrates that our approach extracts coherent and meaningful topics, outperforming baseline methods. Furthermore, we successfully demonstrate the generalisability of our approach on a pure text review data set.
suggested questions
Log in to be able to interact and post comments
comments
Fetching comments
Sign in to be able to follow your search criteria
