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The Liminal Epistemology of Apocalyptic Disability in August Wilson‟s Joe Turner’s Come and Gone and Fences

التصور الحدّي لمفهوم "الإعاقة في طور نهاية العالم" كما يقدمه الكاتب المسرحي أوغست ويلسون في مسرحيات "مجيء جو تيرنر و ذهابه" و "أسوار"

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 Publication date 2016
  fields English
and research's language is العربية
 Created by Shamra Editor




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This article highlights the African American reconfiguration of the conventional Apocalyptic perception of disability in two plays by August Wilson, Joe Turner’s Come and Gone (1988) and Fences (1987). Wilson‟s focal plays present a flexible adaptation of Apocalyptic disability that counteracts cultural absolutism. They highlight the effaced role of African reality in proposing liminality as a valid epistemology to destabilize the presumed pattern that shapes the traditional Apocalypse. So, Wilson‟s dramaturgy visualizes an Apocalyptic disability that maintains a liminal construction, being a projection of various social and cultural experiences, a missing gap in Wilson‟s scholarship. Ultimately, I address the cultural context where disability and African culture intersect to free the subjugated pathologized black other from dominant imperial paradigms.


Artificial intelligence review:
Research summary
تتناول هذه الدراسة إعادة تصور الرؤية الأمريكية الإفريقية لمفهوم نهاية العالم فيما يتعلق بالإعاقة في مسرحيات أوغست ويلسون 'مجيء جو تيرنر وذهابه' (1988) و'أسوار' (1987). تبرز المسرحيات تحديلاً مرناً لمفهوم 'الإعاقة في طور نهاية العالم' بشكل يقاوم الاستبداد الثقافي، حيث تركز على الدور المغمور للواقع الإفريقي في تقديم مفهوم 'الحدّية' كمعرفة تصورية شرعية لزعزعة النمط المغترض لنهاية العالم. يوضح البحث كيف أن مسرحيات ويلسون تتخيل إعاقة ذات تشكّل حدي في طور نهاية العالم، كونها تعبيراً عن تجارب ثقافية واجتماعية مختلفة، وهو منحى غير مطروق في الدراسات السابقة عن مسرح ويلسون. يهدف البحث إلى تكريس السياق الثقافي الذي تتقاطع فيه الثقافة الإفريقية مع مفهوم الإعاقة لتحرير الهوية السوداء المهمشة من القوالب الإمبريالية المسيطرة. يعتمد البحث على تحليل مسرحيات ويلسون من خلال منظور 'الحدّية' و'الإعاقة'، ويستعرض كيف أن هذه المسرحيات تقدم نموذجاً تحررياً للإعاقة يتحدى التصورات التقليدية لنهاية العالم.
Critical review
تُعد هذه الدراسة إسهاماً مهماً في فهم كيفية إعادة تصور مفهوم الإعاقة في سياق نهاية العالم من منظور الثقافة الإفريقية الأمريكية. ومع ذلك، يمكن القول أن البحث قد استفاض في بعض النقاط النظرية على حساب التحليل العملي للنصوص المسرحية. كان من الممكن أن يكون هناك تركيز أكبر على كيفية تفاعل الشخصيات مع مفهوم الإعاقة في سياق الأحداث الدرامية بدلاً من التركيز الكبير على الإطار النظري. بالإضافة إلى ذلك، كان من الممكن أن يتناول البحث تأثير هذه التصورات على الجمهور وكيف يمكن أن تُسهم في تغيير النظرة المجتمعية للإعاقة.
Questions related to the research
  1. ما هو المفهوم الرئيسي الذي تناقشه الدراسة في مسرحيات أوغست ويلسون؟

    تناقش الدراسة مفهوم 'الإعاقة في طور نهاية العالم' وكيفية إعادة تصوره من منظور الثقافة الإفريقية الأمريكية.

  2. كيف تساهم مسرحيات ويلسون في زعزعة النمط التقليدي لنهاية العالم؟

    تساهم مسرحيات ويلسون في زعزعة النمط التقليدي لنهاية العالم من خلال تقديم مفهوم 'الحدّية' كمعرفة تصورية شرعية تعبر عن تجارب ثقافية واجتماعية مختلفة.

  3. ما هو الدور الذي تلعبه الثقافة الإفريقية في تصور الإعاقة في مسرحيات ويلسون؟

    تلعب الثقافة الإفريقية دوراً مهماً في تصور الإعاقة في مسرحيات ويلسون، حيث تساهم في تحرير الهوية السوداء من القوالب الإمبريالية المسيطرة وتقديم نموذج تحرري للإعاقة.

  4. ما هي الفجوة التي يسعى البحث إلى سدها في الدراسات السابقة عن مسرح ويلسون؟

    يسعى البحث إلى سد الفجوة المتعلقة بكيفية تفاعل مفهوم الإعاقة مع الثقافة الإفريقية في مسرحيات ويلسون، وهو منحى غير مطروق في الدراسات السابقة.


References used
Bell, Catherine. Ritual: Perspectives and Dimensions. New York: Oxford UP, 2010. Print
Broeck, Josef. “The Apocalyptic Imagination in America; Recent Criticism.” The kritikon litterarum 14 (1985): 89-94. Print
Derrida, Jacques. “Of an Apocalyptic Tone Recently Adopted in Philosophy.” Trans. John P. Leavey, Jr. Semeia 23 (1982): 63-97. Print
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