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Register a new userAutomatic Genre and Show Identification of Broadcast Media
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Mortaza Doulaty
Publication date
2016
fields
Informatics Engineering
and research's language is
English
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Huge amounts of digital videos are being produced and broadcast every day, leading to giant media archives. Effective techniques are needed to make such data accessible further. Automatic meta-data labelling of broadcast media is an essential task for multimedia indexing, where it is standard to use multi-modal input for such purposes. This paper describes a novel method for automatic detection of media genre and show identities using acoustic features, textual features or a combination thereof. Furthermore the inclusion of available meta-data, such as time of broadcast, is shown to lead to very high performance. Latent Dirichlet Allocation is used to model both acoustics and text, yielding fixed dimensional representations of media recordings that can then be used in Support Vector Machines based classification. Experiments are conducted on more than 1200 hours of TV broadcasts from the British Broadcasting Corporation (BBC), where the task is to categorise the broadcasts into 8 genres or 133 show identities. On a 200-hour test set, accuracies of 98.6% and 85.7% were achieved for genre and show identification respectively, using a combination of acoustic and textual features with meta-data.
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We describe the University of Sheffield system for participation in the 2015 Multi-Genre Broadcast (MGB) challenge task of transcribing multi-genre broadcast shows. Transcription was one of four tasks proposed in the MGB challenge, with the aim of advancing the state of the art of automatic speech recognition, speaker diarisation and automatic alignment of subtitles for broadcast media. Four topics are investigated in this work: Data selection techniques for training with unreliable data, automatic speech segmentation of broadcast media shows, acoustic modelling and adaptation in highly variable environments, and language modelling of multi-genre shows. The final system operates in multiple passes, using an initial unadapted decoding stage to refine segmentation, followed by three adapted passes: a hybrid DNN pass with input features normalised by speaker-based cepstral normalisation, another hybrid stage with input features normalised by speaker feature-MLLR transformations, and finally a bottleneck-based tandem stage with noise and speaker factorisation. The combination of these three system outputs provides a final error rate of 27.5% on the official development set, consisting of 47 multi-genre shows.
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