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Register a new userThe 2015 Sheffield System for Transcription of Multi-Genre Broadcast Media
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Mortaza Doulaty
Publication date
2015
fields
Informatics Engineering
and research's language is
English
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We describe the University of Sheffield system for participation in the 2015 Multi-Genre Broadcast (MGB) challenge task of transcribing multi-genre broadcast shows. Transcription was one of four tasks proposed in the MGB challenge, with the aim of advancing the state of the art of automatic speech recognition, speaker diarisation and automatic alignment of subtitles for broadcast media. Four topics are investigated in this work: Data selection techniques for training with unreliable data, automatic speech segmentation of broadcast media shows, acoustic modelling and adaptation in highly variable environments, and language modelling of multi-genre shows. The final system operates in multiple passes, using an initial unadapted decoding stage to refine segmentation, followed by three adapted passes: a hybrid DNN pass with input features normalised by speaker-based cepstral normalisation, another hybrid stage with input features normalised by speaker feature-MLLR transformations, and finally a bottleneck-based tandem stage with noise and speaker factorisation. The combination of these three system outputs provides a final error rate of 27.5% on the official development set, consisting of 47 multi-genre shows.
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Huge amounts of digital videos are being produced and broadcast every day, leading to giant media archives. Effective techniques are needed to make such data accessible further. Automatic meta-data labelling of broadcast media is an essential task for multimedia indexing, where it is standard to use multi-modal input for such purposes. This paper describes a novel method for automatic detection of media genre and show identities using acoustic features, textual features or a combination thereof. Furthermore the inclusion of available meta-data, such as time of broadcast, is shown to lead to very high performance. Latent Dirichlet Allocation is used to model both acoustics and text, yielding fixed dimensional representations of media recordings that can then be used in Support Vector Machines based classification. Experiments are conducted on more than 1200 hours of TV broadcasts from the British Broadcasting Corporation (BBC), where the task is to categorise the broadcasts into 8 genres or 133 show identities. On a 200-hour test set, accuracies of 98.6% and 85.7% were achieved for genre and show identification respectively, using a combination of acoustic and textual features with meta-data.
This paper presents the results of the RepEval 2017 Shared Task, which evaluated neural network sentence representation learning models on the Multi-Genre Natural Language Inference corpus (MultiNLI) recently introduced by Williams et al. (2017). All of the five participating teams beat the bidirectional LSTM (BiLSTM) and continuous bag of words baselines reported in Williams et al.. The best single model used stacked BiLSTMs with residual connections to extract sentence features and reached 74.5% accuracy on the genre-matched test set. Surprisingly, the results of the competition were fairly consistent across the genre-matched and genre-mismatched test sets, and across subsets of the test data representing a variety of linguistic phenomena, suggesting that all of the submitted systems learned reasonably domain-independent representations for sentence meaning.
Recent research has shown great progress on fine-grained entity typing. Most existing methods require pre-defining a set of types and training a multi-class classifier from a large labeled data set based on multi-level linguistic features. They are thus limited to certain domains, genres and languages. In this paper, we propose a novel unsupervised entity typing framework by combining symbolic and distributional semantics. We start from learning general embeddings for each entity mention, compose the embeddings of specific contexts using linguistic structures, link the mention to knowledge bases and learn its related knowledge representations. Then we develop a novel joint hierarchical clustering and linking algorithm to type all mentions using these representations. This framework doesnt rely on any annotated data, predefined typing schema, or hand-crafted features, therefore it can be quickly adapted to a new domain, genre and language. Furthermore, it has great flexibility at incorporating linguistic structures (e.g., Abstract Meaning Representation (AMR), dependency relations) to improve specific context representation. Experiments on genres (news and discussion forum) show comparable performance with state-of-the-art supervised typing systems trained from a large amount of labeled data. Results on various languages (English, Chinese, Japanese, Hausa, and Yoruba) and domains (general and biomedical) demonstrate the portability of our framework.
Research on speaker recognition is extending to address the vulnerability in the wild conditions, among which genre mismatch is perhaps the most challenging, for instance, enrollment with reading speech while testing with conversational or singing audio. This mismatch leads to complex and composite inter-session variations, both intrinsic (i.e., speaking style, physiological status) and extrinsic (i.e., recording device, background noise). Unfortunately, the few existing multi-genre corpora are not only limited in size but are also recorded under controlled conditions, which cannot support conclusive research on the multi-genre problem. In this work, we firstly publish CN-Celeb, a large-scale multi-genre corpus that includes in-the-wild speech utterances of 3,000 speakers in 11 different genres. Secondly, using this dataset, we conduct a comprehensive study on the multi-genre phenomenon, in particular the impact of the multi-genre challenge on speaker recognition, and on how to utilize the valuable multi-genre data more efficiently.
Quality of data plays an important role in most deep learning tasks. In the speech community, transcription of speech recording is indispensable. Since the transcription is usually generated artificially, automatically finding errors in manual transcriptions not only saves time and labors but benefits the performance of tasks that need the training process. Inspired by the success of hybrid automatic speech recognition using both language model and acoustic model, two approaches of automatic error detection in the transcriptions have been explored in this work. Previous study using a biased language model approach, relying on a strong transcription-dependent language model, has been reviewed. In this work, we propose a novel acoustic model based approach, focusing on the phonetic sequence of speech. Both methods have been evaluated on a completely real dataset, which was originally transcribed with errors and strictly corrected manually afterwards.
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