In the light of the conceptual remarks that Ibn Sinan adopts as
evaluative features of the quality of poetry, among which are the
prevailing proverbs and unsystematic verses, we do discover the world of
the poet with its psychological, intellectua
l and social horizons. This is so
since they uncover the secrets of the intuitive character of the creator and
its potential introvert features; and, at the same time, they stand as one
part of his understandability of poetry. Poetry expresses emotions, and
reflects a vision full of influential sentiments of the creator. So, what if
the poet were a critic?
