The proposed study suggests that exploring style structure in
the Taf'eela Verse (free verse) of modern Syrian poetry may
be achieved through the manifestations and rich pictures that it
encompasses. But these manifestations, pictures, and linguis
tic
and artistic revelations must usher the way to the rest of the
materialized structures which are interacting with it, on the
one hand, and perhaps it overpasses them towards their distant
implied spheres, on the other hand.
