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The expression of human art, and supposedly sentient art in general, is modulated by the available rendition, receiving and communication techniques. The components or instruments of these techniques ultimately exhibit a physical, in particular, quantum layer, which in turn translates into physical and technological capacities to comprehend and utilize what is possible in our universe. In this sense, we can apply a sort of Church-Turing thesis to art, or at least to its rendition.
In this paper, a formulation, which is completely established on a quantum ground, is presented for basic contents of quantum electrodynamics (QED). This is done by moving away, from the fundamental level, the assumption that the spin space of bare p
Two-photon states produce enough symmetry needed for Diracs construction of the two-oscillator system which produces the Lie algebra for the O(3,2) space-time symmetry. This O(3,2) group can be contracted to the inhomogeneous Lorentz group which, acc
Correlations related to related to quantum entanglement have convinced many physicists that there must be some at-a-distance connection between separated events, at the quantum level. In the late 1940s, however, O. Costa de Beauregard proposed that s
We present a derivation of the third postulate of Relational Quantum Mechanics (RQM) from the properties of conditional probabilities.The first two RQM postulates are based on the information that can be extracted from interaction of different system
The subjective Bayesian interpretation of quantum mechanics (QBism) and Rovellis relational interpretation of quantum mechanics (RQM) are both notable for embracing the radical idea that measurement outcomes correspond to events whose occurrence (or