اشترك بالحزمة الذهبية واحصل على وصول غير محدود شمرا أكاديميا
تسجيل مستخدم جديدGravitational Music
87
0
0.0
(
0
)
تأليف
Jean-Pierre Luminet
اسأل ChatGPT حول البحث
ﻻ يوجد ملخص باللغة العربية
Since the 1960s a growing number of composers have engaged with scientific research and have tried to incorporate their understanding of various models and theories into their musical works. Among them, H`ector Parra (b. 1976) has been particularly impressed by the recent developments of gravitational physics and astrophysics, namely the part of astronomy which deals with gravity rather than light. Black holes, gravitational waves (first detected in September 2015), cosmology, or quantum gravity models belong to such fields of intensive research, bringing surprising new concepts such as the coarse-graining of space-time, multiverse or holographic principle. In this framework we have collaborated in the conception of a large piece for soloist ensemble, orchestra and electronic devices, which tries to transpose gravitational phenomena into a new form of contemporary music.
قيم البحث
اقرأ أيضاً
We consider how an advanced civilization might build a radiator to send gravitational waves signals by using small black holes. Micro black holes on the scale of centimeters but with masses of asteroids to planets are manipulated with a super advance
d instrumentality, possibly with very large electromagnetic fields. The machine envisioned emits gravitational waves in the GHz frequency range. If the source to receiver distance is a characteristic length in the galaxy, up to 10000 light years, the masses involved are at least planetary in magnitude. To provide the energy for this system we posit a very advanced civilization that has a Kerr black hole at its disposal and can extract energy by way of super-radiance. Background gravitational radiation sets a limit on the dimensionless amplitude that can be measured at interstellar distance using a LIGO like detector.
We discuss gravitational waves from merging binaries using a Newtonian approach with some inputs from the Post-Newtonian formalism. We show that it is possible to understand the key features of the signal using fundamental physics and also demonstrat
e that an approximate calculation gives us the correct order of magnitude estimate of the parameters describing the merging binary system. We build on this analysis to understand the range for different types of sources for given detector sensitivity. We also consider known binary pulsar systems and discuss the expected gravitational wave signal from these.
We give an elementary introduction to classical and quantum bosonic string theory.
A brief introduction to gravitational waves, addressing those questions that nowadays more and more frequently arise within a large audience (not only of insiders): what is a gravity wave, how can it be detected and, above all, what impact on modern
physical theories may have their recent discovery? Interested readers can also find a few simple technical details and insights in the final Appendices.
This paper is a celebration of the frontiers of science. Goodenough, the maestro who transformed energy usage and technology through the invention of the lithium ion battery, opens the programme, reflecting on the ultimate limits of battery technolog
y. This applied theme continues through the subsequent pieces on energy related topics (the sodium ion battery and artificial fuels, by Mansson) and the ultimate challenge for 3 dimensional printing the eventual production of life, by Atala. A passage by Alexander follows, reflecting on a related issue: How might an artificially produced human being behave? Next comes a consideration of consiousness and free will by Allen and Lidstrom. Further voices and new instruments enter as Bowen, Mauranyapin and Madsen discuss whether dynamical processes of single molecules might be observed in their native state. The exploitation of chaos in science and technology, applications of Bose Einstein condensates and a consideration of the significance of entropy follow in pieces by Reichl, Rasel and Allen, respectively. Katsnelson and Koonin then discuss the potential generalisation of thermodynamic concepts in the context of biological evolution. Entering with the music of the cosmos, Yasskin discusses whether we might be able to observe torsion in the geometry of the universe. The crescendo comes with the crisis of singularities, their nature and whether they can be resolved through quantum effects, in the composition of Coley. The climax is Krenn, Melvin and Zeilinger consideration of how computer code can be autonomously surprising and creative. In a harmonious counterpoint, Yampolskiy concludes that such code is not yet able to take responsibility for coauthoring a paper.
سجل دخول لتتمكن من نشر تعليقات
التعليقات
جاري جلب التعليقات
سجل دخول لتتمكن من متابعة معايير البحث التي قمت باختيارها
