اشترك بالحزمة الذهبية واحصل على وصول غير محدود شمرا أكاديميا
تسجيل مستخدم جديدAn End-to-end Method for Producing Scanning-robust Stylized QR Codes
61
0
0.0
(
0
)
اسأل ChatGPT حول البحث
ﻻ يوجد ملخص باللغة العربية
Quick Response (QR) code is one of the most worldwide used two-dimensional codes.~Traditional QR codes appear as random collections of black-and-white modules that lack visual semantics and aesthetic elements, which inspires the recent works to beautify the appearances of QR codes. However, these works adopt fixed generation algorithms and therefore can only generate QR codes with a pre-defined style. In this paper, combining the Neural Style Transfer technique, we propose a novel end-to-end method, named ArtCoder, to generate the stylized QR codes that are personalized, diverse, attractive, and scanning-robust.~To guarantee that the generated stylized QR codes are still scanning-robust, we propose a Sampling-Simulation layer, a module-based code loss, and a competition mechanism. The experimental results show that our stylized QR codes have high-quality in both the visual effect and the scanning-robustness, and they are able to support the real-world application.
قيم البحث
اقرأ أيضاً
In this paper, we propose an end-to-end post-filter method with deep attention fusion features for monaural speaker-independent speech separation. At first, a time-frequency domain speech separation method is applied as the pre-separation stage. The
aim of pre-separation stage is to separate the mixture preliminarily. Although this stage can separate the mixture, it still contains the residual interference. In order to enhance the pre-separated speech and improve the separation performance further, the end-to-end post-filter (E2EPF) with deep attention fusion features is proposed. The E2EPF can make full use of the prior knowledge of the pre-separated speech, which contributes to speech separation. It is a fully convolutional speech separation network and uses the waveform as the input features. Firstly, the 1-D convolutional layer is utilized to extract the deep representation features for the mixture and pre-separated signals in the time domain. Secondly, to pay more attention to the outputs of the pre-separation stage, an attention module is applied to acquire deep attention fusion features, which are extracted by computing the similarity between the mixture and the pre-separated speech. These deep attention fusion features are conducive to reduce the interference and enhance the pre-separated speech. Finally, these features are sent to the post-filter to estimate each target signals. Experimental results on the WSJ0-2mix dataset show that the proposed method outperforms the state-of-the-art speech separation method. Compared with the pre-separation method, our proposed method can acquire 64.1%, 60.2%, 25.6% and 7.5% relative improvements in scale-invariant source-to-noise ratio (SI-SNR), the signal-to-distortion ratio (SDR), the perceptual evaluation of speech quality (PESQ) and the short-time objective intelligibility (STOI) measures, respectively.
The research of visual signal compression has a long history. Fueled by deep learning, exciting progress has been made recently. Despite achieving better compression performance, existing end-to-end compression algorithms are still designed towards b
etter signal quality in terms of rate-distortion optimization. In this paper, we show that the design and optimization of network architecture could be further improved for compression towards machine vision. We propose an inverted bottleneck structure for end-to-end compression towards machine vision, which specifically accounts for efficient representation of the semantic information. Moreover, we quest the capability of optimization by incorporating the analytics accuracy into the optimization process, and the optimality is further explored with generalized rate-accuracy optimization in an iterative manner. We use object detection as a showcase for end-to-end compression towards machine vision, and extensive experiments show that the proposed scheme achieves significant BD-rate savings in terms of analysis performance. Moreover, the promise of the scheme is also demonstrated with strong generalization capability towards other machine vision tasks, due to the enabling of signal-level reconstruction.
Panoptic segmentation, which needs to assign a category label to each pixel and segment each object instance simultaneously, is a challenging topic. Traditionally, the existing approaches utilize two independent models without sharing features, which
makes the pipeline inefficient to implement. In addition, a heuristic method is usually employed to merge the results. However, the overlapping relationship between object instances is difficult to determine without sufficient context information during the merging process. To address the problems, we propose a novel end-to-end network for panoptic segmentation, which can efficiently and effectively predict both the instance and stuff segmentation in a single network. Moreover, we introduce a novel spatial ranking module to deal with the occlusion problem between the predicted instances. Extensive experiments have been done to validate the performance of our proposed method and promising results have been achieved on the COCO Panoptic benchmark.
Both images and music can convey rich semantics and are widely used to induce specific emotions. Matching images and music with similar emotions might help to make emotion perceptions more vivid and stronger. Existing emotion-based image and music ma
tching methods either employ limited categorical emotion states which cannot well reflect the complexity and subtlety of emotions, or train the matching model using an impractical multi-stage pipeline. In this paper, we study end-to-end matching between image and music based on emotions in the continuous valence-arousal (VA) space. First, we construct a large-scale dataset, termed Image-Music-Emotion-Matching-Net (IMEMNet), with over 140K image-music pairs. Second, we propose cross-modal deep continuous metric learning (CDCML) to learn a shared latent embedding space which preserves the cross-modal similarity relationship in the continuous matching space. Finally, we refine the embedding space by further preserving the single-modal emotion relationship in the VA spaces of both images and music. The metric learning in the embedding space and task regression in the label space are jointly optimized for both cross-modal matching and single-modal VA prediction. The extensive experiments conducted on IMEMNet demonstrate the superiority of CDCML for emotion-based image and music matching as compared to the state-of-the-art approaches.
Over recent years, deep learning-based computer vision systems have been applied to images at an ever-increasing pace, oftentimes representing the only type of consumption for those images. Given the dramatic explosion in the number of images generat
ed per day, a question arises: how much better would an image codec targeting machine-consumption perform against state-of-the-art codecs targeting human-consumption? In this paper, we propose an image codec for machines which is neural network (NN) based and end-to-end learned. In particular, we propose a set of training strategies that address the delicate problem of balancing competing loss functions, such as computer vision task losses, image distortion losses, and rate loss. Our experimental results show that our NN-based codec outperforms the state-of-the-art Versa-tile Video Coding (VVC) standard on the object detection and instance segmentation tasks, achieving -37.87% and -32.90% of BD-rate gain, respectively, while being fast thanks to its compact size. To the best of our knowledge, this is the first end-to-end learned machine-targeted image codec.
الأسئلة المقترحة
سجل دخول لتتمكن من نشر تعليقات
التعليقات
جاري جلب التعليقات
سجل دخول لتتمكن من متابعة معايير البحث التي قمت باختيارها
