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We analyze the style and structure of story narrative using the case of film scripts. The practical importance of this is noted, especially the need to have support tools for television movie writing. We use the Casablanca film script, and scripts from six episodes of CSI (Crime Scene Investigation). For analysis of style and structure, we quantify various central perspectives discussed in McKees book, Story: Substance, Structure, Style, and the Principles of Screenwriting. Film scripts offer a useful point of departure for exploration of the analysis of more general narratives. Our methodology, using Correspondence Analysis, and hierarchical clustering, is innovative in a range of areas that we discuss. In particular this work is groundbreaking in taking the qualitative analysis of McKee and grounding this analysis in a quantitative and algorithmic framework.
Many genres of natural language text are narratively structured, a testament to our predilection for organizing our experiences as narratives. There is broad consensus that understanding a narrative requires identifying and tracking the goals and des
With populations ageing, the number of people with dementia worldwide is expected to triple to 152 million by 2050. Seventy percent of cases are due to Alzheimers disease (AD) pathology and there is a 10-20 year pre-clinical period before significant
In many real-life situations that involve exchanges of arguments, individuals may differ on their assessment of which supports between the arguments are in fact justified, i.e., they put forward different support-relations. When confronted with such
Many implicit inferences exist in text depending on how it is structured that can critically impact the texts interpretation and meaning. One such structural aspect present in text with chronology is the order of its presentation. For narratives or s
We propose a simplification of the Theory-of-Mind Network architecture, which focuses on modeling complex, deterministic machines as a proxy for modeling nondeterministic, conscious entities. We then validate this architecture in the context of under