Deep artificial neural networks have been proposed as a model of primate vision. However, these networks are vulnerable to adversarial attacks, whereby introducing minimal noise can fool networks into misclassifying images. Primate vision is thought
to be robust to such adversarial images. We evaluated this assumption by designing adversarial images to fool primate vision. To do so, we first trained a model to predict responses of face-selective neurons in macaque inferior temporal cortex. Next, we modified images, such as human faces, to match their model-predicted neuronal responses to a target category, such as monkey faces. These adversarial images elicited neuronal responses similar to the target category. Remarkably, the same images fooled monkeys and humans at the behavioral level. These results challenge fundamental assumptions about the similarity between computer and primate vision and show that a model of neuronal activity can selectively direct primate visual behavior.
A fundamental question for understanding brain function is what types of stimuli drive neurons to fire. In visual neuroscience, this question has also been posted as characterizing the receptive field of a neuron. The search for effective stimuli has
traditionally been based on a combination of insights from previous studies, intuition, and luck. Recently, the same question has emerged in the study of units in convolutional neural networks (ConvNets), and together with this question a family of solutions were developed that are generally referred to as feature visualization by activation maximization. We sought to bring in tools and techniques developed for studying ConvNets to the study of biological neural networks. However, one key difference that impedes direct translation of tools is that gradients can be obtained from ConvNets using backpropagation, but such gradients are not available from the brain. To circumvent this problem, we developed a method for gradient-free activation maximization by combining a generative neural network with a genetic algorithm. We termed this method XDream (EXtending DeepDream with real-time evolution for activation maximization), and we have shown that this method can reliably create strong stimuli for neurons in the macaque visual cortex (Ponce et al., 2019). In this paper, we describe extensive experiments characterizing the XDream method by using ConvNet units as in silico models of neurons. We show that XDream is applicable across network layers, architectures, and training sets; examine design choices in the algorithm; and provide practical guides for choosing hyperparameters in the algorithm. XDream is an efficient algorithm for uncovering neuronal tuning preferences in black-box networks using a vast and diverse stimulus space.
Advancements in convolutional neural networks (CNNs) have made significant strides toward achieving high performance levels on multiple object recognition tasks. While some approaches utilize information from the entire scene to propose regions of in
terest, the task of interpreting a particular region or object is still performed independently of other objects and features in the image. Here we demonstrate that a scenes gist can significantly contribute to how well humans can recognize objects. These findings are consistent with the notion that humans foveate on an object and incorporate information from the periphery to aid in recognition. We use a biologically inspired two-part convolutional neural network (GistNet) that models the fovea and periphery to provide a proof-of-principle demonstration that computational object recognition can significantly benefit from the gist of the scene as contextual information. Our model yields accuracy improvements of up to 50% in certain object categories when incorporating contextual gist, while only increasing the original model size by 5%. This proposed model mirrors our intuition about how the human visual system recognizes objects, suggesting specific biologically plausible constraints to improve machine vision and building initial steps towards the challenge of scene understanding.
