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We have been working on speech synthesis for rakugo (a traditional Japanese form of verbal entertainment similar to one-person stand-up comedy) toward speech synthesis that authentically entertains audiences. In this paper, we propose a novel evaluation methodology using synthesized rakugo speech and real rakugo speech uttered by professional performers of three different ranks. The naturalness of the synthesized speech was comparable to that of the human speech, but the synthesized speech entertained listeners less than the performers of any rank. However, we obtained some interesting insights into challenges to be solved in order to achieve a truly entertaining rakugo synthesizer. For example, naturalness was not the most important factor, even though it has generally been emphasized as the most important point to be evaluated in the conventional speech synthesis field. More important factors were the understandability of the content and distinguishability of the characters in the rakugo story, both of which the synthesized rakugo speech was relatively inferior at as compared with the professional performers. We also found that fundamental frequency fo modeling should be further improved to better entertain audiences. These results show important steps to reaching authentically entertaining speech synthesis.
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A recitation is a way of combining the words together so that they have a sense of rhythm and thus an emotional content is imbibed within. In this study we envisaged to answer these questions in a scientific manner taking into consideration 5 (five) well known Bengali recitations of different poets conveying a variety of moods ranging from joy to sorrow. The clips were recited as well as read (in the form of flat speech without any rhythm) by the same person to avoid any perceptual difference arising out of timbre variation. Next, the emotional content from the 5 recitations were standardized with the help of listening test conducted on a pool of 50 participants. The recitations as well as the speech were analyzed with the help of a latest non linear technique called Detrended Fluctuation Analysis (DFA) that gives a scaling exponent {alpha}, which is essentially the measure of long range correlations present in the signal. Similar pieces (the parts which have the exact lyrical content in speech as well as in the recital) were extracted from the complete signal and analyzed with the help of DFA technique. Our analysis shows that the scaling exponent for all parts of recitation were much higher in general as compared to their counterparts in speech. We have also established a critical value from our analysis, above which a mere speech may become a recitation. The case may be similar to the conventional phase transition, wherein the measurement of external condition at which the transformation occurs (generally temperature) is called phase transition. Further, we have also categorized the 5 recitations on the basis of their emotional content with the help of the same DFA technique. Analysis with a greater variety of recitations is being carried out to yield more interesting results.
We describe Parrotron, an end-to-end-trained speech-to-speech conversion model that maps an input spectrogram directly to another spectrogram, without utilizing any intermediate discrete representation. The network is composed of an encoder, spectrogram and phoneme decoders, followed by a vocoder to synthesize a time-domain waveform. We demonstrate that this model can be trained to normalize speech from any speaker regardless of accent, prosody, and background noise, into the voice of a single canonical target speaker with a fixed accent and consistent articulation and prosody. We further show that this normalization model can be adapted to normalize highly atypical speech from a deaf speaker, resulting in significant improvements in intelligibility and naturalness, measured via a speech recognizer and listening tests. Finally, demonstrating the utility of this model on other speech tasks, we show that the same model architecture can be trained to perform a speech separation task
We have been investigating rakugo speech synthesis as a challenging example of speech synthesis that entertains audiences. Rakugo is a traditional Japanese form of verbal entertainment similar to a combination of one-person stand-up comedy and comic storytelling and is popular even today. In rakugo, a performer plays multiple characters, and conversations or dialogues between the characters make the story progress. To investigate how close the quality of synthesized rakugo speech can approach that of professionals speech, we modeled rakugo speech using Tacotron 2, a state-of-the-art speech synthesis system that can produce speech that sounds as natural as human speech albeit under limited conditions, and an enhanced version of it with self-attention to better consider long-term dependencies. We also used global style tokens and manually labeled context features to enrich speaking styles. Through a listening test, we measured not only naturalness but also distinguishability of characters, understandability of the content, and the degree of entertainment. Although we found that the speech synthesis models could not yet reach the professional level, the results of the listening test provided interesting insights: 1) we should not focus only on the naturalness of synthesized speech but also the distinguishability of characters and the understandability of the content to further entertain audiences; 2) the fundamental frequency (fo) expressions of synthesized speech are poorer than those of human speech, and more entertaining speech should have richer fo expression. Although there is room for improvement, we believe this is an important stepping stone toward achieving entertaining speech synthesis at the professional level.
Silent speech interfaces (SSI) has been an exciting area of recent interest. In this paper, we present a non-invasive silent speech interface that uses inaudible acoustic signals to capture peoples lip movements when they speak. We exploit the speaker and microphone of the smartphone to emit signals and listen to their reflections, respectively. The extracted phase features of these reflections are fed into the deep learning networks to recognize speech. And we also propose an end-to-end recognition framework, which combines the CNN and attention-based encoder-decoder network. Evaluation results on a limited vocabulary (54 sentences) yield word error rates of 8.4% in speaker-independent and environment-independent settings, and 8.1% for unseen sentence testing.
End-to-end (E2E) systems have played a more and more important role in automatic speech recognition (ASR) and achieved great performance. However, E2E systems recognize output word sequences directly with the input acoustic feature, which can only be trained on limited acoustic data. The extra text data is widely used to improve the results of traditional artificial neural network-hidden Markov model (ANN-HMM) hybrid systems. The involving of extra text data to standard E2E ASR systems may break the E2E property during decoding. In this paper, a novel modular E2E ASR system is proposed. The modular E2E ASR system consists of two parts: an acoustic-to-phoneme (A2P) model and a phoneme-to-word (P2W) model. The A2P model is trained on acoustic data, while extra data including large scale text data can be used to train the P2W model. This additional data enables the modular E2E ASR system to model not only the acoustic part but also the language part. During the decoding phase, the two models will be integrated and act as a standard acoustic-to-word (A2W) model. In other words, the proposed modular E2E ASR system can be easily trained with extra text data and decoded in the same way as a standard E2E ASR system. Experimental results on the Switchboard corpus show that the modular E2E model achieves better word error rate (WER) than standard A2W models.
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