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Register a new userRegression-based music emotion prediction using triplet neural networks
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In this paper, we adapt triplet neural networks (TNNs) to a regression task, music emotion prediction. Since TNNs were initially introduced for classification, and not for regression, we propose a mechanism that allows them to provide meaningful low dimensional representations for regression tasks. We then use these new representations as the input for regression algorithms such as support vector machines and gradient boosting machines. To demonstrate the TNNs effectiveness at creating meaningful representations, we compare them to different dimensionality reduction methods on music emotion prediction, i.e., predicting valence and arousal values from musical audio signals. Our results on the DEAM dataset show that by using TNNs we achieve 90% feature dimensionality reduction with a 9% improvement in valence prediction and 4% improvement in arousal prediction with respect to our baseline models (without TNN). Our TNN method outperforms other dimensionality reduction methods such as principal component analysis (PCA) and autoencoders (AE). This shows that, in addition to providing a compact latent space representation of audio features, the proposed approach has a higher performance than the baseline models.
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In this paper, we propose a simple yet effective method for multiple music source separation using convolutional neural networks. Stacked hourglass network, which was originally designed for human pose estimation in natural images, is applied to a music source separation task. The network learns features from a spectrogram image across multiple scales and generates masks for each music source. The estimated mask is refined as it passes over stacked hourglass modules. The proposed framework is able to separate multiple music sources using a single network. Experimental results on MIR-1K and DSD100 datasets validate that the proposed method achieves competitive results comparable to the state-of-the-art methods in multiple music source separation and singing voice separation tasks.
This paper thoroughly analyses the effect of different input representations on polyphonic multi-instrument music transcription. We use our own GPU based spectrogram extraction tool, nnAudio, to investigate the influence of using a linear-frequency spectrogram, log-frequency spectrogram, Mel spectrogram, and constant-Q transform (CQT). Our results show that a $8.33$% increase in transcription accuracy and a $9.39$% reduction in error can be obtained by choosing the appropriate input representation (log-frequency spectrogram with STFT window length 4,096 and 2,048 frequency bins in the spectrogram) without changing the neural network design (single layer fully connected). Our experiments also show that Mel spectrogram is a compact representation for which we can reduce the number of frequency bins to only 512 while still keeping a relatively high music transcription accuracy.
In recent years, music source separation has been one of the most intensively studied research areas in music information retrieval. Improvements in deep learning lead to a big progress in music source separation performance. However, most of the previous studies are restricted to separating a few limited number of sources, such as vocals, drums, bass, and other. In this study, we propose a network for audio query-based music source separation that can explicitly encode the source information from a query signal regardless of the number and/or kind of target signals. The proposed method consists of a Query-net and a Separator: given a query and a mixture, the Query-net encodes the query into the latent space, and the Separator estimates masks conditioned by the latent vector, which is then applied to the mixture for separation. The Separator can also generate masks using the latent vector from the training samples, allowing separation in the absence of a query. We evaluate our method on the MUSDB18 dataset, and experimental results show that the proposed method can separate multiple sources with a single network. In addition, through further investigation of the latent space we demonstrate that our method can generate continuous outputs via latent vector interpolation.
Speech emotion recognition is a crucial problem manifesting in a multitude of applications such as human computer interaction and education. Although several advancements have been made in the recent years, especially with the advent of Deep Neural Networks (DNN), most of the studies in the literature fail to consider the semantic information in the speech signal. In this paper, we propose a novel framework that can capture both the semantic and the paralinguistic information in the signal. In particular, our framework is comprised of a semantic feature extractor, that captures the semantic information, and a paralinguistic feature extractor, that captures the paralinguistic information. Both semantic and paraliguistic features are then combined to a unified representation using a novel attention mechanism. The unified feature vector is passed through a LSTM to capture the temporal dynamics in the signal, before the final prediction. To validate the effectiveness of our framework, we use the popular SEWA dataset of the AVEC challenge series and compare with the three winning papers. Our model provides state-of-the-art results in the valence and liking dimensions.
Generative adversarial networks (GANs) have shown potential in learning emotional attributes and generating new data samples. However, their performance is usually hindered by the unavailability of larger speech emotion recognition (SER) data. In this work, we propose a framework that utilises the mixup data augmentation scheme to augment the GAN in feature learning and generation. To show the effectiveness of the proposed framework, we present results for SER on (i) synthetic feature vectors, (ii) augmentation of the training data with synthetic features, (iii) encoded features in compressed representation. Our results show that the proposed framework can effectively learn compressed emotional representations as well as it can generate synthetic samples that help improve performance in within-corpus and cross-corpus evaluation.
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