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In recent years, music source separation has been one of the most intensively studied research areas in music information retrieval. Improvements in deep learning lead to a big progress in music source separation performance. However, most of the previous studies are restricted to separating a few limited number of sources, such as vocals, drums, bass, and other. In this study, we propose a network for audio query-based music source separation that can explicitly encode the source information from a query signal regardless of the number and/or kind of target signals. The proposed method consists of a Query-net and a Separator: given a query and a mixture, the Query-net encodes the query into the latent space, and the Separator estimates masks conditioned by the latent vector, which is then applied to the mixture for separation. The Separator can also generate masks using the latent vector from the training samples, allowing separation in the absence of a query. We evaluate our method on the MUSDB18 dataset, and experimental results show that the proposed method can separate multiple sources with a single network. In addition, through further investigation of the latent space we demonstrate that our method can generate continuous outputs via latent vector interpolation.
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In this paper, we propose a simple yet effective method for multiple music source separation using convolutional neural networks. Stacked hourglass network, which was originally designed for human pose estimation in natural images, is applied to a music source separation task. The network learns features from a spectrogram image across multiple scales and generates masks for each music source. The estimated mask is refined as it passes over stacked hourglass modules. The proposed framework is able to separate multiple music sources using a single network. Experimental results on MIR-1K and DSD100 datasets validate that the proposed method achieves competitive results comparable to the state-of-the-art methods in multiple music source separation and singing voice separation tasks.
A major goal in blind source separation to identify and separate sources is to model their inherent characteristics. While most state-of-the-art approaches are supervised methods trained on large datasets, interest in non-data-driven approaches such as Kernel Additive Modelling (KAM) remains high due to their interpretability and adaptability. KAM performs the separation of a given source applying robust statistics on the time-frequency bins selected by a source-specific kernel function, commonly the K-NN function. This choice assumes that the source of interest repeats in both time and frequency. In practice, this assumption does not always hold. Therefore, we introduce a shift-invariant kernel function capable of identifying similar spectral content even under frequency shifts. This way, we can considerably increase the amount of suitable sound material available to the robust statistics. While this leads to an increase in separation performance, a basic formulation, however, is computationally expensive. Therefore, we additionally present acceleration techniques that lower the overall computational complexity.
Convolutive Non-Negative Matrix Factorization model factorizes a given audio spectrogram using frequency templates with a temporal dimension. In this paper, we present a convolutional auto-encoder model that acts as a neural network alternative to convolutive NMF. Using the modeling flexibility granted by neural networks, we also explore the idea of using a Recurrent Neural Network in the encoder. Experimental results on speech mixtures from TIMIT dataset indicate that the convolutive architecture provides a significant improvement in separation performance in terms of BSSeval metrics.
We address the determined audio source separation problem in the time-frequency domain. In independent deeply learned matrix analysis (IDLMA), it is assumed that the inter-frequency correlation of each source spectrum is zero, which is inappropriate for modeling nonstationary signals such as music signals. To account for the correlation between frequencies, independent positive semidefinite tensor analysis has been proposed. This unsupervised (blind) method, however, severely restrict the structure of frequency covariance matrices (FCMs) to reduce the number of model parameters. As an extension of these conventional approaches, we here propose a supervised method that models FCMs using deep neural networks (DNNs). It is difficult to directly infer FCMs using DNNs. Therefore, we also propose a new FCM model represented as a convex combination of a diagonal FCM and a rank-1 FCM. Our FCM model is flexible enough to not only consider inter-frequency correlation, but also capture the dynamics of time-varying FCMs of nonstationary signals. We infer the proposed FCMs using two DNNs: DNN for power spectrum estimation and DNN for time-domain signal estimation. An experimental result of separating music signals shows that the proposed method provides higher separation performance than IDLMA.
Deep neural network based methods have been successfully applied to music source separation. They typically learn a mapping from a mixture spectrogram to a set of source spectrograms, all with magnitudes only. This approach has several limitations: 1) its incorrect phase reconstruction degrades the performance, 2) it limits the magnitude of masks between 0 and 1 while we observe that 22% of time-frequency bins have ideal ratio mask values of over~1 in a popular dataset, MUSDB18, 3) its potential on very deep architectures is under-explored. Our proposed system is designed to overcome these. First, we propose to estimate phases by estimating complex ideal ratio masks (cIRMs) where we decouple the estimation of cIRMs into magnitude and phase estimations. Second, we extend the separation method to effectively allow the magnitude of the mask to be larger than 1. Finally, we propose a residual UNet architecture with up to 143 layers. Our proposed system achieves a state-of-the-art MSS result on the MUSDB18 dataset, especially, a SDR of 8.98~dB on vocals, outperforming the previous best performance of 7.24~dB. The source code is available at: https://github.com/bytedance/music_source_separation
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