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Register a new userDecoupling Magnitude and Phase Estimation with Deep ResUNet for Music Source Separation
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Deep neural network based methods have been successfully applied to music source separation. They typically learn a mapping from a mixture spectrogram to a set of source spectrograms, all with magnitudes only. This approach has several limitations: 1) its incorrect phase reconstruction degrades the performance, 2) it limits the magnitude of masks between 0 and 1 while we observe that 22% of time-frequency bins have ideal ratio mask values of over~1 in a popular dataset, MUSDB18, 3) its potential on very deep architectures is under-explored. Our proposed system is designed to overcome these. First, we propose to estimate phases by estimating complex ideal ratio masks (cIRMs) where we decouple the estimation of cIRMs into magnitude and phase estimations. Second, we extend the separation method to effectively allow the magnitude of the mask to be larger than 1. Finally, we propose a residual UNet architecture with up to 143 layers. Our proposed system achieves a state-of-the-art MSS result on the MUSDB18 dataset, especially, a SDR of 8.98~dB on vocals, outperforming the previous best performance of 7.24~dB. The source code is available at: https://github.com/bytedance/music_source_separation
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In recent years, music source separation has been one of the most intensively studied research areas in music information retrieval. Improvements in deep learning lead to a big progress in music source separation performance. However, most of the previous studies are restricted to separating a few limited number of sources, such as vocals, drums, bass, and other. In this study, we propose a network for audio query-based music source separation that can explicitly encode the source information from a query signal regardless of the number and/or kind of target signals. The proposed method consists of a Query-net and a Separator: given a query and a mixture, the Query-net encodes the query into the latent space, and the Separator estimates masks conditioned by the latent vector, which is then applied to the mixture for separation. The Separator can also generate masks using the latent vector from the training samples, allowing separation in the absence of a query. We evaluate our method on the MUSDB18 dataset, and experimental results show that the proposed method can separate multiple sources with a single network. In addition, through further investigation of the latent space we demonstrate that our method can generate continuous outputs via latent vector interpolation.
It remains a tough challenge to recover the speech signals contaminated by various noises under real acoustic environments. To this end, we propose a novel system for denoising in the complicated applications, which is mainly comprised of two pipelines, namely a two-stage network and a post-processing module. The first pipeline is proposed to decouple the optimization problem w:r:t: magnitude and phase, i.e., only the magnitude is estimated in the first stage and both of them are further refined in the second stage. The second pipeline aims to further suppress the remaining unnatural distorted noise, which is demonstrated to sufficiently improve the subjective quality. In the ICASSP 2021 Deep Noise Suppression (DNS) Challenge, our submitted system ranked top-1 for the real-time track 1 in terms of Mean Opinion Score (MOS) with ITU-T P.808 framework.
In this paper, we propose a simple yet effective method for multiple music source separation using convolutional neural networks. Stacked hourglass network, which was originally designed for human pose estimation in natural images, is applied to a music source separation task. The network learns features from a spectrogram image across multiple scales and generates masks for each music source. The estimated mask is refined as it passes over stacked hourglass modules. The proposed framework is able to separate multiple music sources using a single network. Experimental results on MIR-1K and DSD100 datasets validate that the proposed method achieves competitive results comparable to the state-of-the-art methods in multiple music source separation and singing voice separation tasks.
We consider the problem of estimating the phases of K mixed complex signals from a multichannel observation, when the mixing matrix and signal magnitudes are known. This problem can be cast as a non-convex quadratically constrained quadratic program which is known to be NP-hard in general. We propose three approaches to tackle it: a heuristic method, an alternate minimization method, and a convex relaxation into a semi-definite program. The last two approaches are showed to outperform the oracle multichannel Wiener filter in under-determined informed source separation tasks, using simulated and speech signals. The convex relaxation approach yields best results, including the potential for exact source separation in under-determined settings.
Music source separation with deep neural networks typically relies only on amplitude features. In this paper we show that additional phase features can improve the separation performance. Using the theoretical relationship between STFT phase and amplitude, we conjecture that derivatives of the phase are a good feature representation opposed to the raw phase. We verify this conjecture experimentally and propose a new DNN architecture which combines amplitude and phase. This joint approach achieves a better signal-to distortion ratio on the DSD100 dataset for all instruments compared to a network that uses only amplitude features. Especially, the bass instrument benefits from the phase information.
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