No Arabic abstract
In this paper, we study zero-shot learning in audio classification through factored linear and nonlinear acoustic-semantic projections between audio instances and sound classes. Zero-shot learning in audio classification refers to classification problems that aim at recognizing audio instances of sound classes, which have no available training data but only semantic side information. In this paper, we address zero-shot learning by employing factored linear and nonlinear acoustic-semantic projections. We develop factored linear projections by applying rank decomposition to a bilinear model, and use nonlinear activation functions, such as tanh, to model the non-linearity between acoustic embeddings and semantic embeddings. Compared with the prior bilinear model, experimental results show that the proposed projection methods are effective for improving classification performance of zero-shot learning in audio classification.
In this paper, we study zero-shot learning in audio classification via semantic embeddings extracted from textual labels and sentence descriptions of sound classes. Our goal is to obtain a classifier that is capable of recognizing audio instances of sound classes that have no available training samples, but only semantic side information. We employ a bilinear compatibility framework to learn an acoustic-semantic projection between intermediate-level representations of audio instances and sound classes, i.e., acoustic embeddings and semantic embeddings. We use VGGish to extract deep acoustic embeddings from audio clips, and pre-trained language models (Word2Vec, GloVe, BERT) to generate either label embeddings from textual labels or sentence embeddings from sentence descriptions of sound classes. Audio classification is performed by a linear compatibility function that measures how compatible an acoustic embedding and a semantic embedding are. We evaluate the proposed method on a small balanced dataset ESC-50 and a large-scale unbalanced audio subset of AudioSet. The experimental results show that classification performance is significantly improved by involving sound classes that are semantically close to the test classes in training. Meanwhile, we demonstrate that both label embeddings and sentence embeddings are useful for zero-shot learning. Classification performance is improved by concatenating label/sentence embeddings generated with different language models. With their hybrid concatenations, the results are improved further.
Acoustic scene classification systems using deep neural networks classify given recordings into pre-defined classes. In this study, we propose a novel scheme for acoustic scene classification which adopts an audio tagging system inspired by the human perception mechanism. When humans identify an acoustic scene, the existence of different sound events provides discriminative information which affects the judgement. The proposed framework mimics this mechanism using various approaches. Firstly, we employ three methods to concatenate tag vectors extracted using an audio tagging system with an intermediate hidden layer of an acoustic scene classification system. We also explore the multi-head attention on the feature map of an acoustic scene classification system using tag vectors. Experiments conducted on the detection and classification of acoustic scenes and events 2019 task 1-a dataset demonstrate the effectiveness of the proposed scheme. Concatenation and multi-head attention show a classification accuracy of 75.66 % and 75.58 %, respectively, compared to 73.63 % accuracy of the baseline. The system with the proposed two approaches combined demonstrates an accuracy of 76.75 %.
Insufficient or even unavailable training data of emerging classes is a big challenge of many classification tasks, including text classification. Recognising text documents of classes that have never been seen in the learning stage, so-called zero-shot text classification, is therefore difficult and only limited previous works tackled this problem. In this paper, we propose a two-phase framework together with data augmentation and feature augmentation to solve this problem. Four kinds of semantic knowledge (word embeddings, class descriptions, class hierarchy, and a general knowledge graph) are incorporated into the proposed framework to deal with instances of unseen classes effectively. Experimental results show that each and the combination of the two phases achieve the best overall accuracy compared with baselines and recent approaches in classifying real-world texts under the zero-shot scenario.
In recent years, deep learning technique has received intense attention owing to its great success in image recognition. A tendency of adaption of deep learning in various information processing fields has formed, including music information retrieval (MIR). In this paper, we conduct a comprehensive study on music audio classification with improved convolutional neural networks (CNNs). To the best of our knowledge, this the first work to apply Densely Connected Convolutional Networks (DenseNet) to music audio tagging, which has been demonstrated to perform better than Residual neural network (ResNet). Additionally, two specific data augmentation approaches of time overlapping and pitch shifting have been proposed to address the deficiency of labelled data in the MIR. Moreover, an ensemble learning of stacking is employed based on SVM. We believe that the proposed combination of strong representation of DenseNet and data augmentation can be adapted to other audio processing tasks.
Semantic segmentation models are limited in their ability to scale to large numbers of object classes. In this paper, we introduce the new task of zero-shot semantic segmentation: learning pixel-wise classifiers for never-seen object categories with zero training examples. To this end, we present a novel architecture, ZS3Net, combining a deep visual segmentation model with an approach to generate visual representations from semantic word embeddings. By this way, ZS3Net addresses pixel classification tasks where both seen and unseen categories are faced at test time (so called generalized zero-shot classification). Performance is further improved by a self-training step that relies on automatic pseudo-labeling of pixels from unseen classes. On the two standard segmentation datasets, Pascal-VOC and Pascal-Context, we propose zero-shot benchmarks and set competitive baselines. For complex scenes as ones in the Pascal-Context dataset, we extend our approach by using a graph-context encoding to fully leverage spatial context priors coming from class-wise segmentation maps.