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Register a new userAcoustic Scene Classification using Audio Tagging
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Added by
Jee-Weon Jung
Publication date
2020
fields
Electronic Engineering
and research's language is
English
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Acoustic scene classification systems using deep neural networks classify given recordings into pre-defined classes. In this study, we propose a novel scheme for acoustic scene classification which adopts an audio tagging system inspired by the human perception mechanism. When humans identify an acoustic scene, the existence of different sound events provides discriminative information which affects the judgement. The proposed framework mimics this mechanism using various approaches. Firstly, we employ three methods to concatenate tag vectors extracted using an audio tagging system with an intermediate hidden layer of an acoustic scene classification system. We also explore the multi-head attention on the feature map of an acoustic scene classification system using tag vectors. Experiments conducted on the detection and classification of acoustic scenes and events 2019 task 1-a dataset demonstrate the effectiveness of the proposed scheme. Concatenation and multi-head attention show a classification accuracy of 75.66 % and 75.58 %, respectively, compared to 73.63 % accuracy of the baseline. The system with the proposed two approaches combined demonstrates an accuracy of 76.75 %.
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Acoustic scene classification identifies an input segment into one of the pre-defined classes using spectral information. The spectral information of acoustic scenes may not be mutually exclusive due to common acoustic properties across different classes, such as babble noises included in both airports and shopping malls. However, conventional training procedure based on one-hot labels does not consider the similarities between different acoustic scenes. We exploit teacher-student learning with the purpose to derive soft-labels that consider common acoustic properties among different acoustic scenes. In teacher-student learning, the teacher network produces soft-labels, based on which the student network is trained. We investigate various methods to extract soft-labels that better represent similarities across different scenes. Such attempts include extracting soft-labels from multiple audio segments that are defined as an identical acoustic scene. Experimental results demonstrate the potential of our approach, showing a classification accuracy of 77.36 % on the DCASE 2018 task 1 validation set.
In this work, we propose an approach that features deep feature embedding learning and hierarchical classification with triplet loss function for Acoustic Scene Classification (ASC). In the one hand, a deep convolutional neural network is firstly trained to learn a feature embedding from scene audio signals. Via the trained convolutional neural network, the learned embedding embeds an input into the embedding feature space and transforms it into a high-level feature vector for representation. In the other hand, in order to exploit the structure of the scene categories, the original scene classification problem is structured into a hierarchy where similar categories are grouped into meta-categories. Then, hierarchical classification is accomplished using deep neural network classifiers associated with triplet loss function. Our experiments show that the proposed system achieves good performance on both the DCASE 2018 Task 1A and 1B datasets, resulting in accuracy gains of 15.6% and 16.6% absolute over the DCASE 2018 baseline on Task 1A and 1B, respectively.
Frequently misclassified pairs of classes that share many common acoustic properties exist in acoustic scene classification (ASC). To distinguish such pairs of classes, trivial details scattered throughout the data could be vital clues. However, these details are less noticeable and are easily removed using conventional non-linear activations (e.g. ReLU). Furthermore, making design choices to emphasize trivial details can easily lead to overfitting if the system is not sufficiently generalized. In this study, based on the analysis of the ASC tasks characteristics, we investigate various methods to capture discriminative information and simultaneously mitigate the overfitting problem. We adopt a max feature map method to replace conventional non-linear activations in a deep neural network, and therefore, we apply an element-wise comparison between different filters of a convolution layers output. Two data augment methods and two deep architecture modules are further explored to reduce overfitting and sustain the systems discriminative power. Various experiments are conducted using the detection and classification of acoustic scenes and events 2020 task1-a dataset to validate the proposed methods. Our results show that the proposed system consistently outperforms the baseline, where the single best performing system has an accuracy of 70.4% compared to 65.1% of the baseline.
This paper presents the details of the Audio-Visual Scene Classification task in the DCASE 2021 Challenge (Task 1 Subtask B). The task is concerned with classification using audio and video modalities, using a dataset of synchronized recordings. This task has attracted 43 submissions from 13 different teams around the world. Among all submissions, more than half of the submitted systems have better performance than the baseline. The common techniques among the top systems are the usage of large pretrained models such as ResNet or EfficientNet which are trained for the task-specific problem. Fine-tuning, transfer learning, and data augmentation techniques are also employed to boost the performance. More importantly, multi-modal methods using both audio and video are employed by all the top 5 teams. The best system among all achieved a logloss of 0.195 and accuracy of 93.8%, compared to the baseline system with logloss of 0.662 and accuracy of 77.1%.
This paper proposes a network architecture mainly designed for audio tagging, which can also be used for weakly supervised acoustic event detection (AED). The proposed network consists of a modified DenseNet as the feature extractor, and a global average pooling (GAP) layer to predict frame-level labels at inference time. This architecture is inspired by the work proposed by Zhou et al., a well-known framework using GAP to localize visual objects given image-level labels. While most of the previous works on weakly supervised AED used recurrent layers with attention-based mechanism to localize acoustic events, the proposed network directly localizes events using the feature map extracted by DenseNet without any recurrent layers. In the audio tagging task of DCASE 2017, our method significantly outperforms the state-of-the-art method in F1 score by 5.3% on the dev set, and 6.0% on the eval set in terms of absolute values. For weakly supervised AED task in DCASE 2018, our model outperforms the state-of-the-art method in event-based F1 by 8.1% on the dev set, and 0.5% on the eval set in terms of absolute values, by using data augmentation and tri-training to leverage unlabeled data.
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