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Register a new userAutomatic Lyrics Transcription using Dilated Convolutional Neural Networks with Self-Attention
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Speech recognition is a well developed research field so that the current state of the art systems are being used in many applications in the software industry, yet as by today, there still does not exist such robust system for the recognition of words and sentences from singing voice. This paper proposes a complete pipeline for this task which may commonly be referred as automatic lyrics transcription (ALT). We have trained convolutional time-delay neural networks with self-attention on monophonic karaoke recordings using a sequence classification objective for building the acoustic model. The dataset used in this study, DAMP - Sing! 300x30x2 [1] is filtered to have songs with only English lyrics. Different language models are tested including MaxEnt and Recurrent Neural Networks based methods which are trained on the lyrics of pop songs in English. An in-depth analysis of the self-attention mechanism is held while tuning its context width and the number of attention heads. Using the best settings, our system achieves notable improvement to the state-of-the-art in ALT and provides a new baseline for the task.
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This paper makes several contributions to automatic lyrics transcription (ALT) research. Our main contribution is a novel variant of the Multistreaming Time-Delay Neural Network (MTDNN) architecture, called MSTRE-Net, which processes the temporal information using multiple streams in parallel with varying resolutions keeping the network more compact, and thus with a faster inference and an improved recognition rate than having identical TDNN streams. In addition, two novel preprocessing steps prior to training the acoustic model are proposed. First, we suggest using recordings from both monophonic and polyphonic domains during training the acoustic model. Second, we tag monophonic and polyphonic recordings with distinct labels for discriminating non-vocal silence and music instances during alignment. Moreover, we present a new test set with a considerably larger size and a higher musical variability compared to the existing datasets used in ALT literature, while maintaining the gender balance of the singers. Our best performing model sets the state-of-the-art in lyrics transcription by a large margin. For reproducibility, we publicly share the identifiers to retrieve the data used in this paper.
Automatic lyrics to polyphonic audio alignment is a challenging task not only because the vocals are corrupted by background music, but also there is a lack of annotated polyphonic corpus for effective acoustic modeling. In this work, we propose (1) using additional speech and music-informed features and (2) adapting the acoustic models trained on a large amount of solo singing vocals towards polyphonic music using a small amount of in-domain data. Incorporating additional information such as voicing and auditory features together with conventional acoustic features aims to bring robustness against the increased spectro-temporal variations in singing vocals. By adapting the acoustic model using a small amount of polyphonic audio data, we reduce the domain mismatch between training and testing data. We perform several alignment experiments and present an in-depth alignment error analysis on acoustic features, and model adaptation techniques. The results demonstrate that the proposed strategy provides a significant error reduction of word boundary alignment over comparable existing systems, especially on more challenging polyphonic data with long-duration musical interludes.
Background music affects lyrics intelligibility of singing vocals in a music piece. Automatic lyrics alignment and transcription in polyphonic music are challenging tasks because the singing vocals are corrupted by the background music. In this work, we propose to learn music genre-specific characteristics to train polyphonic acoustic models. We first compare several automatic speech recognition pipelines for the application of lyrics transcription. We then present the lyrics alignment and transcription performance of music-informed acoustic models for the best-performing pipeline, and systematically study the impact of music genre and language model on the performance. With such genre-based approach, we explicitly model the music without removing it during acoustic modeling. The proposed approach outperforms all competing systems in the lyrics alignment and transcription tasks on several well-known polyphonic test datasets.
Automatic lyrics transcription (ALT), which can be regarded as automatic speech recognition (ASR) on singing voice, is an interesting and practical topic in academia and industry. ALT has not been well developed mainly due to the dearth of paired singing voice and lyrics datasets for model training. Considering that there is a large amount of ASR training data, a straightforward method is to leverage ASR data to enhance ALT training. However, the improvement is marginal when training the ALT system directly with ASR data, because of the gap between the singing voice and standard speech data which is rooted in music-specific acoustic characteristics in singing voice. In this paper, we propose PDAugment, a data augmentation method that adjusts pitch and duration of speech at syllable level under the guidance of music scores to help ALT training. Specifically, we adjust the pitch and duration of each syllable in natural speech to those of the corresponding note extracted from music scores, so as to narrow the gap between natural speech and singing voice. Experiments on DSing30 and Dali corpus show that the ALT system equipped with our PDAugment outperforms previous state-of-the-art systems by 5.9% and 18.1% WERs respectively, demonstrating the effectiveness of PDAugment for ALT.
Formant tracking is one of the most fundamental problems in speech processing. Traditionally, formants are estimated using signal processing methods. Recent studies showed that generic convolutional architectures can outperform recurrent networks on temporal tasks such as speech synthesis and machine translation. In this paper, we explored the use of Temporal Convolutional Network (TCN) for formant tracking. In addition to the conventional implementation, we modified the architecture from three aspects. First, we turned off the causal mode of dilated convolution, making the dilated convolution see the future speech frames. Second, each hidden layer reused the output information from all the previous layers through dense connection. Third, we also adopted a gating mechanism to alleviate the problem of gradient disappearance by selectively forgetting unimportant information. The model was validated on the open access formant database VTR. The experiment showed that our proposed model was easy to converge and achieved an overall mean absolute percent error (MAPE) of 8.2% on speech-labeled frames, compared to three competitive baselines of 9.4% (LSTM), 9.1% (Bi-LSTM) and 8.9% (TCN).
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