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Register a new userDeep Geometric Texture Synthesis
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Added by
Rana Hanocka
Publication date
2020
fields
Informatics Engineering
and research's language is
English
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Recently, deep generative adversarial networks for image generation have advanced rapidly; yet, only a small amount of research has focused on generative models for irregular structures, particularly meshes. Nonetheless, mesh generation and synthesis remains a fundamental topic in computer graphics. In this work, we propose a novel framework for synthesizing geometric textures. It learns geometric texture statistics from local neighborhoods (i.e., local triangular patches) of a single reference 3D model. It learns deep features on the faces of the input triangulation, which is used to subdivide and generate offsets across multiple scales, without parameterization of the reference or target mesh. Our network displaces mesh vertices in any direction (i.e., in the normal and tangential direction), enabling synthesis of geometric textures, which cannot be expressed by a simple 2D displacement map. Learning and synthesizing on local geometric patches enables a genus-oblivious framework, facilitating texture transfer between shapes of different genus.
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Search-based texture synthesis algorithms are sensitive to the order in which texture samples are generated; different synthesis orders yield different textures. Unfortunately, most polygon rasterizers and ray tracers do not guarantee the order with which surfaces are sampled. To circumvent this problem, textures are synthesized beforehand at some maximum resolution and rendered using texture mapping. We describe a search-based texture synthesis algorithm in which samples can be generated in arbitrary order, yet the resulting texture remains identical. The key to our algorithm is a pyramidal representation in which each texture sample depends only on a fixed number of neighboring samples at each level of the pyramid. The bottom (coarsest) level of the pyramid consists of a noise image, which is small and predetermined. When a sample is requested by the renderer, all samples on which it depends are generated at once. Using this approach, samples can be generated in any order. To make the algorithm efficient, we propose storing texture samples and their dependents in a pyramidal cache. Although the first few samples are expensive to generate, there is substantial reuse, so subsequent samples cost less. Fortunately, most rendering algorithms exhibit good coherence, so cache reuse is high.
In this work, we present a non-parametric texture synthesis algorithm capable of producing plausible images without copying large tiles of the exemplar. We focus on a simple synthesis algorithm, where we explore two patch match heuristics; the well known Bidirectional Similarity (BS) measure and a heuristic that finds near permutations using the solution of an entropy regularized optimal transport (OT) problem. Innovative synthesis is achieved with a small patch size, where global plausibility relies on the qualities of the match. For OT, less entropic regularization also meant near permutations and more plausible images. We examine the tile maps of the synthesized images, showing that they are indeed novel superpositions of the input and contain few or no verbatim copies. Synthesis results are compared to a statistical method, namely a random convolutional network. We conclude by remarking simple algorithms using only the input image can synthesize textures decently well and call for more modest approaches in future algorithm design.
Manually authoring 3D shapes is difficult and time consuming; generative models of 3D shapes offer compelling alternatives. Procedural representations are one such possibility: they offer high-quality and editable results but are difficult to author and often produce outputs with limited diversity. On the other extreme are deep generative models: given enough data, they can learn to generate any class of shape but their outputs have artifacts and the representation is not editable. In this paper, we take a step towards achieving the best of both worlds for novel 3D shape synthesis. We propose ShapeAssembly, a domain-specific assembly-language for 3D shape structures. ShapeAssembly programs construct shapes by declaring cuboid part proxies and attaching them to one another, in a hierarchical and symmetrical fashion. Its functions are parameterized with free variables, so that one program structure is able to capture a family of related shapes. We show how to extract ShapeAssembly programs from existing shape structures in the PartNet dataset. Then we train a deep generative model, a hierarchical sequence VAE, that learns to write novel ShapeAssembly programs. The program captures the subset of variability that is interpretable and editable. The deep model captures correlations across shape collections that are hard to express procedurally. We evaluate our approach by comparing shapes output by our generated programs to those from other recent shape structure synthesis models. We find that our generated shapes are more plausible and physically-valid than those of other methods. Additionally, we assess the latent spaces of these models, and find that ours is better structured and produces smoother interpolations. As an application, we use our generative model and differentiable program interpreter to infer and fit shape programs to unstructured geometry, such as point clouds.
The process of rendering high dynamic range (HDR) images to be viewed on conventional displays is called tone mapping. However, tone mapping introduces distortions in the final image which may lead to visual displeasure. To quantify these distortions, we introduce a novel no-reference quality assessment technique for these tone mapped images. This technique is composed of two stages. In the first stage, we employ a convolutional neural network (CNN) to generate quality aware maps (also known as distortion maps) from tone mapped images by training it with the ground truth distortion maps. In the second stage, we model the normalized image and distortion maps using an Asymmetric Generalized Gaussian Distribution (AGGD). The parameters of the AGGD model are then used to estimate the quality score using support vector regression (SVR). We show that the proposed technique delivers competitive performance relative to the state-of-the-art techniques. The novelty of this work is its ability to visualize various distortions as quality maps (distortion maps), especially in the no-reference setting, and to use these maps as features to estimate the quality score of tone mapped images.
Real-world images usually contain vivid contents and rich textural details, which will complicate the manipulation on them. In this paper, we design a new framework based on content-aware synthesis to enhance content-aware image retargeting. By detecting the textural regions in an image, the textural image content can be synthesized rather than simply distorted or cropped. This method enables the manipulation of textural & non-textural regions with different strategy since they have different natures. We propose to retarget the textural regions by content-aware synthesis and non-textural regions by fast multi-operators. To achieve practical retargeting applications for general images, we develop an automatic and fast texture detection method that can detect multiple disjoint textural regions. We adjust the saliency of the image according to the features of the textural regions. To validate the proposed method, comparisons with state-of-the-art image targeting techniques and a user study were conducted. Convincing visual results are shown to demonstrate the effectiveness of the proposed method.
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