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Register a new userA Pipeline for Creative Visual Storytelling
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Added by
Stephanie Lukin
Publication date
2018
fields
Informatics Engineering
and research's language is
English
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Computational visual storytelling produces a textual description of events and interpretations depicted in a sequence of images. These texts are made possible by advances and cross-disciplinary approaches in natural language processing, generation, and computer vision. We define a computational creative visual storytelling as one with the ability to alter the telling of a story along three aspects: to speak about different environments, to produce variations based on narrative goals, and to adapt the narrative to the audience. These aspects of creative storytelling and their effect on the narrative have yet to be explored in visual storytelling. This paper presents a pipeline of task-modules, Object Identification, Single-Image Inferencing, and Multi-Image Narration, that serve as a preliminary design for building a creative visual storyteller. We have piloted this design for a sequence of images in an annotation task. We present and analyze the collected corpus and describe plans towards automation.
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Previous storytelling approaches mostly focused on optimizing traditional metrics such as BLEU, ROUGE and CIDEr. In this paper, we re-examine this problem from a different angle, by looking deep into what defines a realistically-natural and topically-coherent story. To this end, we propose three assessment criteria: relevance, coherence and expressiveness, which we observe through empirical analysis could constitute a high-quality story to the human eye. Following this quality guideline, we propose a reinforcement learning framework, ReCo-RL, with reward functions designed to capture the essence of these quality criteria. Experiments on the Visual Storytelling Dataset (VIST) with both automatic and human evaluations demonstrate that our ReCo-RL model achieves better performance than state-of-the-art baselines on both traditional metrics and the proposed new criteria.
Visual storytelling is a creative and challenging task, aiming to automatically generate a story-like description for a sequence of images. The descriptions generated by previous visual storytelling approaches lack coherence because they use word-level sequence generation methods and do not adequately consider sentence-level dependencies. To tackle this problem, we propose a novel hierarchical visual storytelling framework which separately models sentence-level and word-level semantics. We use the transformer-based BERT to obtain embeddings for sentences and words. We then employ a hierarchical LSTM network: the bottom LSTM receives as input the sentence vector representation from BERT, to learn the dependencies between the sentences corresponding to images, and the top LSTM is responsible for generating the corresponding word vector representations, taking input from the bottom LSTM. Experimental results demonstrate that our model outperforms most closely related baselines under automatic evaluation metrics BLEU and CIDEr, and also show the effectiveness of our method with human evaluation.
There is a perennial need in the online advertising industry to refresh ad creatives, i.e., images and text used for enticing online users towards a brand. Such refreshes are required to reduce the likelihood of ad fatigue among online users, and to incorporate insights from other successful campaigns in related product categories. Given a brand, to come up with themes for a new ad is a painstaking and time consuming process for creative strategists. Strategists typically draw inspiration from the images and text used for past ad campaigns, as well as world knowledge on the brands. To automatically infer ad themes via such multimodal sources of information in past ad campaigns, we propose a theme (keyphrase) recommender system for ad creative strategists. The theme recommender is based on aggregating results from a visual question answering (VQA) task, which ingests the following: (i) ad images, (ii) text associated with the ads as well as Wikipedia pages on the brands in the ads, and (iii) questions around the ad. We leverage transformer based cross-modality encoders to train visual-linguistic representations for our VQA task. We study two formulations for the VQA task along the lines of classification and ranking; via experiments on a public dataset, we show that cross-modal representations lead to significantly better classification accuracy and ranking precision-recall metrics. Cross-modal representations show better performance compared to separate image and text representations. In addition, the use of multimodal information shows a significant lift over using only textual or visual information.
Although a great deal of attention has been paid to how conspiracy theories circulate on social media and their factual counterpart conspiracies, there has been little computational work done on describing their narrative structures. We present an automated pipeline for the discovery and description of the generative narrative frameworks of conspiracy theories on social media, and actual conspiracies reported in the news media. We base this work on two separate repositories of posts and news articles describing the well-known conspiracy theory Pizzagate from 2016, and the New Jersey conspiracy Bridgegate from 2013. We formulate a graphical generative machine learning model where nodes represent actors/actants, and multi-edges and self-loops among nodes capture context-specific relationships. Posts and news items are viewed as samples of subgraphs of the hidden narrative network. The problem of reconstructing the underlying structure is posed as a latent model estimation problem. We automatically extract and aggregate the actants and their relationships from the posts and articles. We capture context specific actants and interactant relationships by developing a system of supernodes and subnodes. We use these to construct a network, which constitutes the underlying narrative framework. We show how the Pizzagate framework relies on the conspiracy theorists interpretation of hidden knowledge to link otherwise unlinked domains of human interaction, and hypothesize that this multi-domain focus is an important feature of conspiracy theories. While Pizzagate relies on the alignment of multiple domains, Bridgegate remains firmly rooted in the single domain of New Jersey politics. We hypothesize that the narrative framework of a conspiracy theory might stabilize quickly in contrast to the narrative framework of an actual one, which may develop more slowly as revelations come to light.
We address the problem of visual storytelling, i.e., generating a story for a given sequence of images. While each sentence of the story should describe a corresponding image, a coherent story also needs to be consistent and relate to both future and past images. To achieve this we develop ordered image attention (OIA). OIA models interactions between the sentence-corresponding image and important regions in other images of the sequence. To highlight the important objects, a message-passing-like algorithm collects representations of those objects in an order-aware manner. To generate the storys sentences, we then highlight important image attention vectors with an Image-Sentence Attention (ISA). Further, to alleviate common linguistic mistakes like repetitiveness, we introduce an adaptive prior. The obtained results improve the METEOR score on the VIST dataset by 1%. In addition, an extensive human study verifies coherency improvements and shows that OIA and ISA generated stories are more focused, shareable, and image-grounded.
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