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Register a new userSeparake: Source Separation with a Little Help From Echoes
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It is commonly believed that multipath hurts various audio processing algorithms. At odds with this belief, we show that multipath in fact helps sound source separation, even with very simple propagation models. Unlike most existing methods, we neither ignore the room impulse responses, nor we attempt to estimate them fully. We rather assume that we know the positions of a few virtual microphones generated by echoes and we show how this gives us enough spatial diversity to get a performance boost over the anechoic case. We show improvements for two standard algorithms---one that uses only magnitudes of the transfer functions, and one that also uses the phases. Concretely, we show that multichannel non-negative matrix factorization aided with a small number of echoes beats the vanilla variant of the same algorithm, and that with magnitude information only, echoes enable separation where it was previously impossible.
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We propose a blind source separation algorithm that jointly exploits measurements by a conventional microphone array and an ad hoc array of low-rate sound power sensors called blinkies. While providing less information than microphones, blinkies circumvent some difficulties of microphone arrays in terms of manufacturing, synchronization, and deployment. The algorithm is derived from a joint probabilistic model of the microphone and sound power measurements. We assume the separated sources to follow a time-varying spherical Gaussian distribution, and the non-negative power measurement space-time matrix to have a low-rank structure. We show that alternating updates similar to those of independent vector analysis and Itakura-Saito non-negative matrix factorization decrease the negative log-likelihood of the joint distribution. The proposed algorithm is validated via numerical experiments. Its median separation performance is found to be up to 8 dB more than that of independent vector analysis, with significantly reduced variability.
In recent years, music source separation has been one of the most intensively studied research areas in music information retrieval. Improvements in deep learning lead to a big progress in music source separation performance. However, most of the previous studies are restricted to separating a few limited number of sources, such as vocals, drums, bass, and other. In this study, we propose a network for audio query-based music source separation that can explicitly encode the source information from a query signal regardless of the number and/or kind of target signals. The proposed method consists of a Query-net and a Separator: given a query and a mixture, the Query-net encodes the query into the latent space, and the Separator estimates masks conditioned by the latent vector, which is then applied to the mixture for separation. The Separator can also generate masks using the latent vector from the training samples, allowing separation in the absence of a query. We evaluate our method on the MUSDB18 dataset, and experimental results show that the proposed method can separate multiple sources with a single network. In addition, through further investigation of the latent space we demonstrate that our method can generate continuous outputs via latent vector interpolation.
Independent deeply learned matrix analysis (IDLMA) is one of the state-of-the-art multichannel audio source separation methods using the source power estimation based on deep neural networks (DNNs). The DNN-based power estimation works well for sounds having timbres similar to the DNN training data. However, the sounds to which IDLMA is applied do not always have such timbres, and the timbral mismatch causes the performance degradation of IDLMA. To tackle this problem, we focus on a blind source separation counterpart of IDLMA, independent low-rank matrix analysis. It uses nonnegative matrix factorization (NMF) as the source model, which can capture source spectral components that only appear in the target mixture, using the low-rank structure of the source spectrogram as a clue. We thus extend the DNN-based source model to encompass the NMF-based source model on the basis of the product-of-expert concept, which we call the product of source models (PoSM). For the proposed PoSM-based IDLMA, we derive a computationally efficient parameter estimation algorithm based on an optimization principle called the majorization-minimization algorithm. Experimental evaluations show the effectiveness of the proposed method.
Unsupervised blind source separation methods do not require a training phase and thus cannot suffer from a train-test mismatch, which is a common concern in neural network based source separation. The unsupervised techniques can be categorized in two classes, those building upon the sparsity of speech in the Short-Time Fourier transform domain and those exploiting non-Gaussianity or non-stationarity of the source signals. In this contribution, spatial mixture models which fall in the first category and independent vector analysis (IVA) as a representative of the second category are compared w.r.t. their separation performance and the performance of a downstream speech recognizer on a reverberant dataset of reasonable size. Furthermore, we introduce a serial concatenation of the two, where the result of the mixture model serves as initialization of IVA, which achieves significantly better WER performance than each algorithm individually and even approaches the performance of a much more complex neural network based technique.
In this paper, we propose a simple yet effective method for multiple music source separation using convolutional neural networks. Stacked hourglass network, which was originally designed for human pose estimation in natural images, is applied to a music source separation task. The network learns features from a spectrogram image across multiple scales and generates masks for each music source. The estimated mask is refined as it passes over stacked hourglass modules. The proposed framework is able to separate multiple music sources using a single network. Experimental results on MIR-1K and DSD100 datasets validate that the proposed method achieves competitive results comparable to the state-of-the-art methods in multiple music source separation and singing voice separation tasks.
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