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Face portrait editing has achieved great progress in recent years. However, previous methods either 1) operate on pre-defined face attributes, lacking the flexibility of controlling shapes of high-level semantic facial components (e.g., eyes, nose, mouth), or 2) take manually edited mask or sketch as an intermediate representation for observable changes, but such additional input usually requires extra efforts to obtain. To break the limitations (e.g. shape, mask or sketch) of the existing methods, we propose a novel framework termed r-FACE (Reference-guided FAce Component Editing) for diverse and controllable face component editing with geometric changes. Specifically, r-FACE takes an image inpainting model as the backbone, utilizing reference images as conditions for controlling the shape of face components. In order to encourage the framework to concentrate on the target face components, an example-guided attention module is designed to fuse attention features and the target face component features extracted from the reference image. Through extensive experimental validation and comparisons, we verify the effectiveness of the proposed framework.
Although significant progress has been made in synthesizing high-quality and visually realistic face images by unconditional Generative Adversarial Networks (GANs), there still lacks of control over the generation process in order to achieve semantic
We present Mask-guided Generative Adversarial Network (MagGAN) for high-resolution face attribute editing, in which semantic facial masks from a pre-trained face parser are used to guide the fine-grained image editing process. With the introduction o
Face completion is a challenging generation task because it requires generating visually pleasing new pixels that are semantically consistent with the unmasked face region. This paper proposes a geometry-aware Face Completion and Editing NETwork (FCE
Cycle consistency is widely used for face editing. However, we observe that the generator tends to find a tricky way to hide information from the original image to satisfy the constraint of cycle consistency, making it impossible to maintain the rich
We propose a new approach for editing face images, which enables numerous exciting applications including face relighting, makeup transfer and face detail editing. Our face edits are based on a visual representation, which includes geometry, face seg