ترغب بنشر مسار تعليمي؟ اضغط هنا

Cometary records revise Eastern Mediterranean chronology around 1240 CE

98   0   0.0 ( 0 )
 نشر من قبل Kohei Ichikawa
 تاريخ النشر 2020
  مجال البحث فيزياء
والبحث باللغة English




اسأل ChatGPT حول البحث

Eirene Laskarina, empress of John III Batatzes of the exiled Byzantine Empire of Nicaea (1204--1261 CE), was an important Eastern Mediterranean figure in the first half of the thirteenth century. We reassess the date of Eirenes death, which has been variously dated between late 1239 and 1241, with the understanding that narrowing the range in which this event occurred contributes much to understanding the political situation in the area around 1240. George Akropolites, a famous official of the Empire, gives an account that connects Eirenes death to a comet that appeared six months earlier, thus pointing to two comet candidates that were visible from the Eastern Mediterranean between 1239 and 1241, one recorded on 3 June 1239 and the other on 31 January 1240. Recent historians prefer the former, based on historical circumstances and without a critical assessment of the comet records. We revisit the historical records and reveal that the 3 June 1239 candidate was not a comet. On the other hand, the other candidate, sighted on 31 January 1240, was a comet, as supported by multiple historical records in multiple regions, and is also a good fit with Akropolitess narrative. Therefore, we conclude that Eirene died six months after the comet that was seen on 31 January 1240, which places her death in the summer of 1240. Given that the date of her death is crucial for determining some other contemporary events across the Eastern Mediterranean, our results offer a solid basis for further research on the thirteenth-century Eastern Mediterranean.



قيم البحث

اقرأ أيضاً

In this paper, we discuss the work on comets of Caroline Herschel, the first female comet-hunter. After leaving Bath for the environs of Windsor Castle and eventually Slough, she discovered at least eight comets, five of which were reported in the Ph ilosophical Transactions of the Royal Society. We consider her public image, astronomers perceptions of her contributions, and the style of her astronomical drawings that changed with the technological developments in astronomical illustration.
115 - Yael Naze 2012
In his Chronology, Newton uses astronomical evidence to support its extreme rejuvenation of ancient times. These elements, having a scientific varnish, provide some credibility to the work. They have been fiercely debated for a century, with a gradua l undermining of Newtons assumptions. However, this has not dented the prestige of the English scientist. ----- Dans sa Chronologie, Newton utilise des preuves astronomiques pour appuyer son rajeunissement extreme des epoques anciennes. Ces elements, au vernis scientifique, donnent une credibilite certaine a lensemble. Ils ont donc ete aprement discutes, les debats sapant petit a petit les hypotheses du savant anglais pour finalement porter un coup mortel a lensemble. Cela na toutefois pas entame le prestige du savant anglais.
An ancient Egyptian Calendar of Lucky and Unlucky Days, the Cairo Calendar (CC), assigns luck with the period of 2.850 days. Previous astronomical, astrophysical and statistical analyses of CC support the idea that this was the period of the eclipsin g binary Algol three millennia ago. However, next to nothing is known about who recorded Algols period into CC and especially how. Here, we show that the ancient Egyptian scribes had the possible means and the motives for such astronomical observations. Their principles of describing celestial phenomena as activity of gods reveal why Algol received the title of Horus.
Comets likely formed in the outer regions of the protosolar nebula where they incorporated and preserved primitive presolar materials, volatiles resident in the outer disk, and more refractory materials from throughout the disk. The return of a sampl e of volatiles (i.e., ices and entrained gases), along with other components of a cometary nucleus, will yield numerous major scientific opportunities. We are unaccustomed to thinking of ices through a mineralogical/petrological lens, but at cryogenic temperatures, ices can be regarded as mineral components of rocky material like any other. This is truly Terra Incognita, as a sample from a natural cryogenic (10s of K) environment is unprecedented in any setting; currently, we can only make educated guesses about the nature of these materials on a microscopic scale. Such samples will provide an unparalleled look at the primordial gases and ices present in the early solar nebula, enabling insights into the gas phase and gas-grain chemistry of the nebula. Understanding the nature of the ices in their microscopic, petrographic relationship to the refractory components of the cometary sample will allow for the study of those relationships and interactions and a study of evolutionary processes on small icy bodies. The previous 2013-2022 Planetary Decadal Survey included a study of a Flagship-class cryogenic comet nucleus sample return mission, given the scientific importance of such a mission. However, the mission was not recommended for flight in the last Decadal Survey, in part because of the immaturity of critical technologies. Now, a decade later, the scientific importance of the mission remains and relevant technological advances have been made in both cryo instrumentation for flight and laboratory applications. Such a mission should be undertaken in the next decade.
For several decades a portrait of Johannes Kepler has been widely circulating among professional astronomers, scientific and academic institutions, and the general public. Despite its provenance and identification having been questioned in the early part of the last century, this painting has reached iconic status. We review its history from its first mention in the literature in the 1870s to a published but virtually unknown judgment of competent art experts of the 1920s that the work is in fact an early nineteenth century forgery. We display the painting in context with other more secure portraits and suggest that if it is based on anything, the painting may derive from the well known portrait from life of Michael Mastlin. This correction takes on certain urgency since 2021 is the 450th anniversary of Keplers birth.
التعليقات
جاري جلب التعليقات جاري جلب التعليقات
سجل دخول لتتمكن من متابعة معايير البحث التي قمت باختيارها
mircosoft-partner

هل ترغب بارسال اشعارات عن اخر التحديثات في شمرا-اكاديميا