Modeling patterns of smartphone usage and their relationship to cognitive health

The ubiquity of smartphone usage in many peoples lives make it a rich source of information about a persons mental and cognitive state. In this work we analyze 12 weeks of phone usage data from 113 older adults, 31 with diagnosed cognitive impairment and 82 without. We develop structured models of users smartphone interactions to reveal differences in phone usage patterns between people with and without cognitive impairment. In particular, we focus on inferring specific types of phone usage sessions that are predictive of cognitive impairment. Our model achieves an AUROC of 0.79 when discriminating between healthy and symptomatic subjects, and its interpretability enables novel insights into which aspects of phone usage strongly relate with cognitive health in our dataset.

Guiding human gaze with convolutional neural networks

The eye fixation patterns of human observers are a fundamental indicator of the aspects of an image to which humans attend. Thus, manipulating fixation patterns to guide human attention is an exciting challenge in digital image processing. Here, we present a new model for manipulating images to change the distribution of human fixations in a controlled fashion. We use the state-of-the-art model for fixation prediction to train a convolutional neural network to transform images so that they satisfy a given fixation distribution. For network training, we carefully design a loss function to achieve a perceptual effect while preserving naturalness of the transformed images. Finally, we evaluate the success of our model by measuring human fixations for a set of manipulated images. On our test images we can in-/decrease the probability to fixate on selected objects on average by 43/22% but show that the effectiveness of the model depends on the semantic content of the manipulated images.

Controlling Perceptual Factors in Neural Style Transfer

Neural Style Transfer has shown very exciting results enabling new forms of image manipulation. Here we extend the existing method to introduce control over spatial location, colour information and across spatial scale. We demonstrate how this enhances the method by allowing high-resolution controlled stylisation and helps to alleviate common failure cases such as applying ground textures to sky regions. Furthermore, by decomposing style into these perceptual factors we enable the combination of style information from multiple sources to generate new, perceptually appealing styles from existing ones. We also describe how these methods can be used to more efficiently produce large size, high-quality stylisation. Finally we show how the introduced control measures can be applied in recent methods for Fast Neural Style Transfer.

Preserving Color in Neural Artistic Style Transfer

This note presents an extension to the neural artistic style transfer algorithm (Gatys et al.). The original algorithm transforms an image to have the style of another given image. For example, a photograph can be transformed to have the style of a famous painting. Here we address a potential shortcoming of the original method: the algorithm transfers the colors of the original painting, which can alter the appearance of the scene in undesirable ways. We describe simple linear methods for transferring style while preserving colors.

A Neural Algorithm of Artistic Style

In fine art, especially painting, humans have mastered the skill to create unique visual experiences through composing a complex interplay between the content and style of an image. Thus far the algorithmic basis of this process is unknown and there exists no artificial system with similar capabilities. However, in other key areas of visual perception such as object and face recognition near-human performance was recently demonstrated by a class of biologically inspired vision models called Deep Neural Networks. Here we introduce an artificial system based on a Deep Neural Network that creates artistic images of high perceptual quality. The system uses neural representations to separate and recombine content and style of arbitrary images, providing a neural algorithm for the creation of artistic images. Moreover, in light of the striking similarities between performance-optimised artificial neural networks and biological vision, our work offers a path forward to an algorithmic understanding of how humans create and perceive artistic imagery.

Texture Synthesis Using Convolutional Neural Networks

Here we introduce a new model of natural textures based on the feature spaces of convolutional neural networks optimised for object recognition. Samples from the model are of high perceptual quality demonstrating the generative power of neural networks trained in a purely discriminative fashion. Within the model, textures are represented by the correlations between feature maps in several layers of the network. We show that across layers the texture representations increasingly capture the statistical properties of natural images while making object information more and more explicit. The model provides a new tool to generate stimuli for neuroscience and might offer insights into the deep representations learned by convolutional neural networks.