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Register a new userImproving Sound Event Detection Metrics: Insights from DCASE 2020
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The ranking of sound event detection (SED) systems may be biased by assumptions inherent to evaluation criteria and to the choice of an operating point. This paper compares conventional event-based and segment-based criteria against the Polyphonic Sound Detection Score (PSDS)s intersection-based criterion, over a selection of systems from DCASE 2020 Challenge Task 4. It shows that, by relying on collars , the conventional event-based criterion introduces different strictness levels depending on the length of the sound events, and that the segment-based criterion may lack precision and be application dependent. Alternatively, PSDSs intersection-based criterion overcomes the dependency of the evaluation on sound event duration and provides robustness to labelling subjectivity, by allowing valid detections of interrupted events. Furthermore, PSDS enhances the comparison of SED systems by measuring sound event modelling performance independently from the systems operating points.
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This report presents the dataset and baseline of Task 3 of the DCASE2021 Challenge on Sound Event Localization and Detection (SELD). The dataset is based on emulation of real recordings of static or moving sound events under real conditions of reverberation and ambient noise, using spatial room impulse responses captured in a variety of rooms and delivered in two spatial formats. The acoustical synthesis remains the same as in the previous iteration of the challenge, however the new dataset brings more challenging conditions of polyphony and overlapping instances of the same class. The most important difference of the new dataset is the introduction of directional interferers, meaning sound events that are localized in space but do not belong to the target classes to be detected and are not annotated. Since such interfering events are expected in every real-world scenario of SELD, the new dataset aims to promote systems that deal with this condition effectively. A modified SELDnet baseline employing the recent ACCDOA representation of SELD problems accompanies the dataset and it is shown to outperform the previous one. The new dataset is shown to be significantly more challenging for both baselines according to all considered metrics. To investigate the individual and combined effects of ambient noise, interferers, and reverberation, we study the performance of the baseline on differe
Sound event detection is a core module for acoustic environmental analysis. Semi-supervised learning technique allows to largely scale up the dataset without increasing the annotation budget, and recently attracts lots of research attention. In this work, we study on two advanced semi-supervised learning techniques for sound event detection. Data augmentation is important for the success of recent deep learning systems. This work studies the audio-signal random augmentation method, which provides an augmentation strategy that can handle a large number of different audio transformations. In addition, consistency regularization is widely adopted in recent state-of-the-art semi-supervised learning methods, which exploits the unlabelled data by constraining the prediction of different transformations of one sample to be identical to the prediction of this sample. This work finds that, for semi-supervised sound event detection, consistency regularization is an effective strategy, especially the best performance is achieved when it is combined with the MeanTeacher model.
While multitask and transfer learning has shown to improve the performance of neural networks in limited data settings, they require pretraining of the model on large datasets beforehand. In this paper, we focus on improving the performance of weakly supervised sound event detection in low data and noisy settings simultaneously without requiring any pretraining task. To that extent, we propose a shared encoder architecture with sound event detection as a primary task and an additional secondary decoder for a self-supervised auxiliary task. We empirically evaluate the proposed framework for weakly supervised sound event detection on a remix dataset of the DCASE 2019 task 1 acoustic scene data with DCASE 2018 Task 2 sounds event data under 0, 10 and 20 dB SNR. To ensure we retain the localisation information of multiple sound events, we propose a two-step attention pooling mechanism that provides a time-frequency localisation of multiple audio events in the clip. The proposed framework with two-step attention outperforms existing benchmark models by 22.3%, 12.8%, 5.9% on 0, 10 and 20 dB SNR respectively. We carry out an ablation study to determine the contribution of the auxiliary task and two-step attention pooling to the SED performance improvement.
Most speaker verification tasks are studied as an open-set evaluation scenario considering the real-world condition. Thus, the generalization power to unseen speakers is of paramount important to the performance of the speaker verification system. We propose to apply textit {Mean Teacher}, a temporal averaging model, to extract speaker embeddings with small intra-class variance and large inter-class variance. The mean teacher network refers to the temporal averaging of deep neural network parameters; it can produces more accurate and stable representations than using weights after the training finished. By learning the reliable intermediate representation of the mean teacher network, we expect that the proposed method can explore more discriminatory embedding spaces and improve the generalization performance of the speaker verification system. Experimental results on the VoxCeleb1 test set demonstrate that the proposed method relatively improves performance by 11.61%, compared to a baseline system.
Performing sound event detection on real-world recordings often implies dealing with overlapping target sound events and non-target sounds, also referred to as interference or noise. Until now these problems were mainly tackled at the classifier level. We propose to use sound separation as a pre-processing for sound event detection. In this paper we start from a sound separation model trained on the Free Universal Sound Separation dataset and the DCASE 2020 task 4 sound event detection baseline. We explore different methods to combine separated sound sources and the original mixture within the sound event detection. Furthermore, we investigate the impact of adapting the sound separation model to the sound event detection data on both the sound separation and the sound event detection.
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