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Register a new userImproving weakly supervised sound event detection with self-supervised auxiliary tasks
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While multitask and transfer learning has shown to improve the performance of neural networks in limited data settings, they require pretraining of the model on large datasets beforehand. In this paper, we focus on improving the performance of weakly supervised sound event detection in low data and noisy settings simultaneously without requiring any pretraining task. To that extent, we propose a shared encoder architecture with sound event detection as a primary task and an additional secondary decoder for a self-supervised auxiliary task. We empirically evaluate the proposed framework for weakly supervised sound event detection on a remix dataset of the DCASE 2019 task 1 acoustic scene data with DCASE 2018 Task 2 sounds event data under 0, 10 and 20 dB SNR. To ensure we retain the localisation information of multiple sound events, we propose a two-step attention pooling mechanism that provides a time-frequency localisation of multiple audio events in the clip. The proposed framework with two-step attention outperforms existing benchmark models by 22.3%, 12.8%, 5.9% on 0, 10 and 20 dB SNR respectively. We carry out an ablation study to determine the contribution of the auxiliary task and two-step attention pooling to the SED performance improvement.
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The weakly supervised sound event detection problem is the task of predicting the presence of sound events and their corresponding starting and ending points in a weakly labeled dataset. A weak dataset associates each training sample (a short recording) to one or more present sources. Networks that solely rely on convolutional and recurrent layers cannot directly relate multiple frames in a recording. Motivated by attention and graph neural networks, we introduce the concept of an affinity mixup to incorporate time-level similarities and make a connection between frames. This regularization technique mixes up features in different layers using an adaptive affinity matrix. Our proposed affinity mixup network improves over state-of-the-art techniques event-F1 scores by $8.2%$.
Task 4 of the DCASE2018 challenge demonstrated that substantially more research is needed for a real-world application of sound event detection. Analyzing the challenge results it can be seen that most successful models are biased towards predicting long (e.g., over 5s) clips. This work aims to investigate the performance impact of fixed-sized window median filter post-processing and advocate the use of double thresholding as a more robust and predictable post-processing method. Further, four different temporal subsampling methods within the CRNN framework are proposed: mean-max, alpha-mean-max, Lp-norm and convolutional. We show that for this task subsampling the temporal resolution by a neural network enhances the F1 score as well as its robustness towards short, sporadic sound events. Our best single model achieves 30.1% F1 on the evaluation set and the best fusion model 32.5%, while being robust to event length variations.
In this paper, a special decision surface for the weakly-supervised sound event detection (SED) and a disentangled feature (DF) for the multi-label problem in polyphonic SED are proposed. We approach SED as a multiple instance learning (MIL) problem and utilize a neural network framework with a pooling module to solve it. General MIL approaches include two kinds: the instance-level approaches and embedding-level approaches. We present a method of generating instance-level probabilities for the embedding level approaches which tend to perform better than the instance-level approaches in terms of bag-level classification but can not provide instance-level probabilities in current approaches. Moreover, we further propose a specialized decision surface (SDS) for the embedding-level attention pooling. We analyze and explained why an embedding-level attention module with SDS is better than other typical pooling modules from the perspective of the high-level feature space. As for the problem of the unbalanced dataset and the co-occurrence of multiple categories in the polyphonic event detection task, we propose a DF to reduce interference among categories, which optimizes the high-level feature space by disentangling it based on class-wise identifiable information and obtaining multiple different subspaces. Experiments on the dataset of DCASE 2018 Task 4 show that the proposed SDS and DF significantly improve the detection performance of the embedding-level MIL approach with an attention pooling module and outperform the first place system in the challenge by 6.6 percentage points.
We propose a simple but efficient method termed Guided Learning for weakly-labeled semi-supervised sound event detection (SED). There are two sub-targets implied in weakly-labeled SED: audio tagging and boundary detection. Instead of designing a single model by considering a trade-off between the two sub-targets, we design a teacher model aiming at audio tagging to guide a student model aiming at boundary detection to learn using the unlabeled data. The guidance is guaranteed by the audio tagging performance gap of the two models. In the meantime, the student model liberated from the trade-off is able to provide more excellent boundary detection results. We propose a principle to design such two models based on the relation between the temporal compression scale and the two sub-targets. We also propose an end-to-end semi-supervised learning process for these two models to enable their abilities to rise alternately. Experiments on the DCASE2018 Task4 dataset show that our approach achieves competitive performance.
Sound event detection is a core module for acoustic environmental analysis. Semi-supervised learning technique allows to largely scale up the dataset without increasing the annotation budget, and recently attracts lots of research attention. In this work, we study on two advanced semi-supervised learning techniques for sound event detection. Data augmentation is important for the success of recent deep learning systems. This work studies the audio-signal random augmentation method, which provides an augmentation strategy that can handle a large number of different audio transformations. In addition, consistency regularization is widely adopted in recent state-of-the-art semi-supervised learning methods, which exploits the unlabelled data by constraining the prediction of different transformations of one sample to be identical to the prediction of this sample. This work finds that, for semi-supervised sound event detection, consistency regularization is an effective strategy, especially the best performance is achieved when it is combined with the MeanTeacher model.
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