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Register a new userDeep Composer Classification Using Symbolic Representation
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Added by
Jinho Lee
Publication date
2020
fields
Informatics Engineering
and research's language is
English
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In this study, we train deep neural networks to classify composer on a symbolic domain. The model takes a two-channel two-dimensional input, i.e., onset and note activations of time-pitch representation, which is converted from MIDI recordings and performs a single-label classification. On the experiments conducted on MAESTRO dataset, we report an F1 value of 0.8333 for the classification of 13~classical composers.
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Music classification is a task to classify a music piece into labels such as genres or composers. We propose large-scale MIDI based composer classification systems using GiantMIDI-Piano, a transcription-based dataset. We propose to use piano rolls, onset rolls, and velocity rolls as input representations and use deep neural networks as classifiers. To our knowledge, we are the first to investigate the composer classification problem with up to 100 composers. By using convolutional recurrent neural networks as models, our MIDI based composer classification system achieves a 10-composer and a 100-composer classification accuracies of 0.648 and 0.385 (evaluated on 30-second clips) and 0.739 and 0.489 (evaluated on music pieces), respectively. Our MIDI based composer system outperforms several audio-based baseline classification systems, indicating the effectiveness of using compact MIDI representations for composer classification.
Score-based generative models and diffusion probabilistic models have been successful at generating high-quality samples in continuous domains such as images and audio. However, due to their Langevin-inspired sampling mechanisms, their application to discrete and sequential data has been limited. In this work, we present a technique for training diffusion models on sequential data by parameterizing the discrete domain in the continuous latent space of a pre-trained variational autoencoder. Our method is non-autoregressive and learns to generate sequences of latent embeddings through the reverse process and offers parallel generation with a constant number of iterative refinement steps. We apply this technique to modeling symbolic music and show strong unconditional generation and post-hoc conditional infilling results compared to autoregressive language models operating over the same continuous embeddings.
We present a machine learning based COVID-19 cough classifier which can discriminate COVID-19 positive coughs from both COVID-19 negative and healthy coughs recorded on a smartphone. This type of screening is non-contact, easy to apply, and can reduce the workload in testing centres as well as limit transmission by recommending early self-isolation to those who have a cough suggestive of COVID-19. The datasets used in this study include subjects from all six continents and contain both forced and natural coughs, indicating that the approach is widely applicable. The publicly available Coswara dataset contains 92 COVID-19 positive and 1079 healthy subjects, while the second smaller dataset was collected mostly in South Africa and contains 18 COVID-19 positive and 26 COVID-19 negative subjects who have undergone a SARS-CoV laboratory test. Both datasets indicate that COVID-19 positive coughs are 15%-20% shorter than non-COVID coughs. Dataset skew was addressed by applying the synthetic minority oversampling technique (SMOTE). A leave-$p$-out cross-validation scheme was used to train and evaluate seven machine learning classifiers: LR, KNN, SVM, MLP, CNN, LSTM and Resnet50. Our results show that although all classifiers were able to identify COVID-19 coughs, the best performance was exhibited by the Resnet50 classifier, which was best able to discriminate between the COVID-19 positive and the healthy coughs with an area under the ROC curve (AUC) of 0.98. An LSTM classifier was best able to discriminate between the COVID-19 positive and COVID-19 negative coughs, with an AUC of 0.94 after selecting the best 13 features from a sequential forward selection (SFS). Since this type of cough audio classification is cost-effective and easy to deploy, it is potentially a useful and viable means of non-contact COVID-19 screening.
An anomalous sound detection system to detect unknown anomalous sounds usually needs to be built using only normal sound data. Moreover, it is desirable to improve the system by effectively using a small amount of anomalous sound data, which will be accumulated through the systems operation. As one of the methods to meet these requirements, we focus on a binary classification model that is developed by using not only normal data but also outlier data in the other domains as pseudo-anomalous sound data, which can be easily updated by using anomalous data. In this paper, we implement a new loss function based on metric learning to learn the distance relationship from each class centroid in feature space for the binary classification model. The proposed multi-task learning of the binary classification and the metric learning makes it possible to build the feature space where the within-class variance is minimized and the between-class variance is maximized while keeping normal and anomalous classes linearly separable. We also investigate the effectiveness of additionally using anomalous sound data for further improving the binary classification model. Our results showed that multi-task learning using binary classification and metric learning to consider the distance from each class centroid in the feature space is effective, and performance can be significantly improved by using even a small amount of anomalous data during training.
Music Performers have their own idiosyncratic way of interpreting a musical piece. A group of skilled performers playing the same piece of music would likely to inject their unique artistic styles in their performances. The variations of the tempo, timing, dynamics, articulation etc. from the actual notated music are what make the performers unique in their performances. This study presents a dataset consisting of four movements of Schuberts ``Sonata in B-flat major, D.960 performed by nine virtuoso pianists individually. We proposed and extracted a set of expressive features that are able to capture the characteristics of an individual performers style. We then present a performer identification method based on the similarity of feature distribution, given a set of piano performances. The identification is done considering each feature individually as well as a fusion of the features. Results show that the proposed method achieved a precision of 0.903 using fusion features. Moreover, the onset time deviation feature shows promising result when considered individually.
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