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Register a new userCapturing scattered discriminative information using a deep architecture in acoustic scene classification
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Frequently misclassified pairs of classes that share many common acoustic properties exist in acoustic scene classification (ASC). To distinguish such pairs of classes, trivial details scattered throughout the data could be vital clues. However, these details are less noticeable and are easily removed using conventional non-linear activations (e.g. ReLU). Furthermore, making design choices to emphasize trivial details can easily lead to overfitting if the system is not sufficiently generalized. In this study, based on the analysis of the ASC tasks characteristics, we investigate various methods to capture discriminative information and simultaneously mitigate the overfitting problem. We adopt a max feature map method to replace conventional non-linear activations in a deep neural network, and therefore, we apply an element-wise comparison between different filters of a convolution layers output. Two data augment methods and two deep architecture modules are further explored to reduce overfitting and sustain the systems discriminative power. Various experiments are conducted using the detection and classification of acoustic scenes and events 2020 task1-a dataset to validate the proposed methods. Our results show that the proposed system consistently outperforms the baseline, where the single best performing system has an accuracy of 70.4% compared to 65.1% of the baseline.
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Acoustic scene classification systems using deep neural networks classify given recordings into pre-defined classes. In this study, we propose a novel scheme for acoustic scene classification which adopts an audio tagging system inspired by the human perception mechanism. When humans identify an acoustic scene, the existence of different sound events provides discriminative information which affects the judgement. The proposed framework mimics this mechanism using various approaches. Firstly, we employ three methods to concatenate tag vectors extracted using an audio tagging system with an intermediate hidden layer of an acoustic scene classification system. We also explore the multi-head attention on the feature map of an acoustic scene classification system using tag vectors. Experiments conducted on the detection and classification of acoustic scenes and events 2019 task 1-a dataset demonstrate the effectiveness of the proposed scheme. Concatenation and multi-head attention show a classification accuracy of 75.66 % and 75.58 %, respectively, compared to 73.63 % accuracy of the baseline. The system with the proposed two approaches combined demonstrates an accuracy of 76.75 %.
In this technical report, we present a joint effort of four groups, namely GT, USTC, Tencent, and UKE, to tackle Task 1 - Acoustic Scene Classification (ASC) in the DCASE 2020 Challenge. Task 1 comprises two different sub-tasks: (i) Task 1a focuses on ASC of audio signals recorded with multiple (real and simulated) devices into ten different fine-grained classes, and (ii) Task 1b concerns with classification of data into three higher-level classes using low-complexity solutions. For Task 1a, we propose a novel two-stage ASC system leveraging upon ad-hoc score combination of two convolutional neural networks (CNNs), classifying the acoustic input according to three classes, and then ten classes, respectively. Four different CNN-based architectures are explored to implement the two-stage classifiers, and several data augmentation techniques are also investigated. For Task 1b, we leverage upon a quantization method to reduce the complexity of two of our top-accuracy three-classes CNN-based architectures. On Task 1a development data set, an ASC accuracy of 76.9% is attained using our best single classifier and data augmentation. An accuracy of 81.9% is then attained by a final model fusion of our two-stage ASC classifiers. On Task 1b development data set, we achieve an accuracy of 96.7% with a model size smaller than 500KB. Code is available: https://github.com/MihawkHu/DCASE2020_task1.
Acoustic Scene Classification (ASC) is a challenging task, as a single scene may involve multiple events that contain complex sound patterns. For example, a cooking scene may contain several sound sources including silverware clinking, chopping, frying, etc. What complicates ASC more is that classes of different activities could have overlapping sounds patterns (e.g. both cooking and dishwashing could have silverware clinking sound). In this paper, we propose a multi-head attention network to model the complex temporal input structures for ASC. The proposed network takes the audios time-frequency representation as input, and it leverages standard VGG plus LSTM layers to extract high-level feature representation. Further more, it applies multiple attention heads to summarize various patterns of sound events into fixed dimensional representation, for the purpose of final scene classification. The whole network is trained in an end-to-end fashion with back-propagation. Experimental results confirm that our model discovers meaningful sound patterns through the attention mechanism, without using explicit supervision in the alignment. We evaluated our proposed model using DCASE 2018 Task 5 dataset, and achieved competitive performance on par with previous winners results.
In this paper, we propose a sub-utterance unit selection framework to remove acoustic segments in audio recordings that carry little information for acoustic scene classification (ASC). Our approach is built upon a universal set of acoustic segment units covering the overall acoustic scene space. First, those units are modeled with acoustic segment models (ASMs) used to tokenize acoustic scene utterances into sequences of acoustic segment units. Next, paralleling the idea of stop words in information retrieval, stop ASMs are automatically detected. Finally, acoustic segments associated with the stop ASMs are blocked, because of their low indexing power in retrieval of most acoustic scenes. In contrast to building scene models with whole utterances, the ASM-removed sub-utterances, i.e., acoustic utterances without stop acoustic segments, are then used as inputs to the AlexNet-L back-end for final classification. On the DCASE 2018 dataset, scene classification accuracy increases from 68%, with whole utterances, to 72.1%, with segment selection. This represents a competitive accuracy without any data augmentation, and/or ensemble strategy. Moreover, our approach compares favourably to AlexNet-L with attention.
Acoustic scene classification identifies an input segment into one of the pre-defined classes using spectral information. The spectral information of acoustic scenes may not be mutually exclusive due to common acoustic properties across different classes, such as babble noises included in both airports and shopping malls. However, conventional training procedure based on one-hot labels does not consider the similarities between different acoustic scenes. We exploit teacher-student learning with the purpose to derive soft-labels that consider common acoustic properties among different acoustic scenes. In teacher-student learning, the teacher network produces soft-labels, based on which the student network is trained. We investigate various methods to extract soft-labels that better represent similarities across different scenes. Such attempts include extracting soft-labels from multiple audio segments that are defined as an identical acoustic scene. Experimental results demonstrate the potential of our approach, showing a classification accuracy of 77.36 % on the DCASE 2018 task 1 validation set.
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