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Register a new userUsing multimodal speech production data to evaluate articulatory animation for audiovisual speech synthesis
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Added by
Ingmar Steiner
Publication date
2012
fields
Informatics Engineering
and research's language is
English
Authors
Ingmar Steiner
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The importance of modeling speech articulation for high-quality audiovisual (AV) speech synthesis is widely acknowledged. Nevertheless, while state-of-the-art, data-driven approaches to facial animation can make use of sophisticated motion capture techniques, the animation of the intraoral articulators (viz. the tongue, jaw, and velum) typically makes use of simple rules or viseme morphing, in stark contrast to the otherwise high quality of facial modeling. Using appropriate speech production data could significantly improve the quality of articulatory animation for AV synthesis.
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We present a modular framework for articulatory animation synthesis using speech motion capture data obtained with electromagnetic articulography (EMA). Adapting a skeletal animation approach, the articulatory motion data is applied to a three-dimensional (3D) model of the vocal tract, creating a portable resource that can be integrated in an audiovisual (AV) speech synthesis platform to provide realistic animation of the tongue and teeth for a virtual character. The framework also provides an interface to articulatory animation synthesis, as well as an example application to illustrate its use with a 3D game engine. We rely on cross-platform, open-source software and open standards to provide a lightweight, accessible, and portable workflow.
Electromagnetic articulography (EMA) captures the position and orientation of a number of markers, attached to the articulators, during speech. As such, it performs the same function for speech that conventional motion capture does for full-body movements acquired with optical modalities, a long-time staple technique of the animation industry. In this paper, EMA data is processed from a motion-capture perspective and applied to the visualization of an existing multimodal corpus of articulatory data, creating a kinematic 3D model of the tongue and teeth by adapting a conventional motion capture based animation paradigm. This is accomplished using off-the-shelf, open-source software. Such an animated model can then be easily integrated into multimedia applications as a digital asset, allowing the analysis of speech production in an intuitive and accessible manner. The processing of the EMA data, its co-registration with 3D data from vocal tract magnetic resonance imaging (MRI) and dental scans, and the modeling workflow are presented in detail, and several issues discussed.
Text-to-speech and co-speech gesture synthesis have until now been treated as separate areas by two different research communities, and applications merely stack the two technologies using a simple system-level pipeline. This can lead to modeling inefficiencies and may introduce inconsistencies that limit the achievable naturalness. We propose to instead synthesize the two modalities in a single model, a new problem we call integrated speech and gesture synthesis (ISG). We also propose a set of models modified from state-of-the-art neural speech-synthesis engines to achieve this goal. We evaluate the models in three carefully-designed user studies, two of which evaluate the synthesized speech and gesture in isolation, plus a combined study that evaluates the models like they will be used in real-world applications -- speech and gesture presented together. The results show that participants rate one of the proposed integrated synthesis models as being as good as the state-of-the-art pipeline system we compare against, in all three tests. The model is able to achieve this with faster synthesis time and greatly reduced parameter count compared to the pipeline system, illustrating some of the potential benefits of treating speech and gesture synthesis together as a single, unified problem. Videos and code are available on our project page at https://swatsw.github.io/isg_icmi21/
Synthesized speech from articulatory movements can have real-world use for patients with vocal cord disorders, situations requiring silent speech, or in high-noise environments. In this work, we present EMA2S, an end-to-end multimodal articulatory-to-speech system that directly converts articulatory movements to speech signals. We use a neural-network-based vocoder combined with multimodal joint-training, incorporating spectrogram, mel-spectrogram, and deep features. The experimental results confirm that the multimodal approach of EMA2S outperforms the baseline system in terms of both objective evaluation and subjective evaluation metrics. Moreover, results demonstrate that joint mel-spectrogram and deep feature loss training can effectively improve system performance.
Articulatory-to-acoustic (A2A) synthesis refers to the generation of audible speech from captured movement of the speech articulators. This technique has numerous applications, such as restoring oral communication to people who cannot longer speak due to illness or injury. Most successful techniques so far adopt a supervised learning framework, in which time-synchronous articulatory-and-speech recordings are used to train a supervised machine learning algorithm that can be used later to map articulator movements to speech. This, however, prevents the application of A2A techniques in cases where parallel data is unavailable, e.g., a person has already lost her/his voice and only articulatory data can be captured. In this work, we propose a solution to this problem based on the theory of multi-view learning. The proposed algorithm attempts to find an optimal temporal alignment between pairs of non-aligned articulatory-and-acoustic sequences with the same phonetic content by projecting them into a common latent space where both views are maximally correlated and then applying dynamic time warping. Several variants of this idea are discussed and explored. We show that the quality of speech generated in the non-aligned scenario is comparable to that obtained in the parallel scenario.
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