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JPGNet: Joint Predictive Filtering and Generative Network for Image Inpainting

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 Added by Qing Guo
 Publication date 2021
and research's language is English




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Image inpainting aims to restore the missing regions and make the recovery results identical to the originally complete image, which is different from the common generative task emphasizing the naturalness of generated images. Nevertheless, existing works usually regard it as a pure generation problem and employ cutting-edge generative techniques to address it. The generative networks fill the main missing parts with realistic contents but usually distort the local structures. In this paper, we formulate image inpainting as a mix of two problems, i.e., predictive filtering and deep generation. Predictive filtering is good at preserving local structures and removing artifacts but falls short to complete the large missing regions. The deep generative network can fill the numerous missing pixels based on the understanding of the whole scene but hardly restores the details identical to the original ones. To make use of their respective advantages, we propose the joint predictive filtering and generative network (JPGNet) that contains three branches: predictive filtering & uncertainty network (PFUNet), deep generative network, and uncertainty-aware fusion network (UAFNet). The PFUNet can adaptively predict pixel-wise kernels for filtering-based inpainting according to the input image and output an uncertainty map. This map indicates the pixels should be processed by filtering or generative networks, which is further fed to the UAFNet for a smart combination between filtering and generative results. Note that, our method as a novel framework for the image inpainting problem can benefit any existing generation-based methods. We validate our method on three public datasets, i.e., Dunhuang, Places2, and CelebA, and demonstrate that our method can enhance three state-of-the-art generative methods (i.e., StructFlow, EdgeConnect, and RFRNet) significantly with the slightly extra time cost.



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The degree of difficulty in image inpainting depends on the types and sizes of the missing parts. Existing image inpainting approaches usually encounter difficulties in completing the missing parts in the wild with pleasing visual and contextual results as they are trained for either dealing with one specific type of missing patterns (mask) or unilaterally assuming the shapes and/or sizes of the masked areas. We propose a deep generative inpainting network, named DeepGIN, to handle various types of masked images. We design a Spatial Pyramid Dilation (SPD) ResNet block to enable the use of distant features for reconstruction. We also employ Multi-Scale Self-Attention (MSSA) mechanism and Back Projection (BP) technique to enhance our inpainting results. Our DeepGIN outperforms the state-of-the-art approaches generally, including two publicly available datasets (FFHQ and Oxford Buildings), both quantitatively and qualitatively. We also demonstrate that our model is capable of completing masked images in the wild.
Over the last few years, deep learning techniques have yielded significant improvements in image inpainting. However, many of these techniques fail to reconstruct reasonable structures as they are commonly over-smoothed and/or blurry. This paper develops a new approach for image inpainting that does a better job of reproducing filled regions exhibiting fine details. We propose a two-stage adversarial model EdgeConnect that comprises of an edge generator followed by an image completion network. The edge generator hallucinates edges of the missing region (both regular and irregular) of the image, and the image completion network fills in the missing regions using hallucinated edges as a priori. We evaluate our model end-to-end over the publicly available datasets CelebA, Places2, and Paris StreetView, and show that it outperforms current state-of-the-art techniques quantitatively and qualitatively. Code and models available at: https://github.com/knazeri/edge-connect
396 - Yu Zeng , Zhe Lin , Huchuan Lu 2020
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Image inpainting aims to complete the missing or corrupted regions of images with realistic contents. The prevalent approaches adopt a hybrid objective of reconstruction and perceptual quality by using generative adversarial networks. However, the reconstruction loss and adversarial loss focus on synthesizing contents of different frequencies and simply applying them together often leads to inter-frequency conflicts and compromised inpainting. This paper presents WaveFill, a wavelet-based inpainting network that decomposes images into multiple frequency bands and fills the missing regions in each frequency band separately and explicitly. WaveFill decomposes images by using discrete wavelet transform (DWT) that preserves spatial information naturally. It applies L1 reconstruction loss to the decomposed low-frequency bands and adversarial loss to high-frequency bands, hence effectively mitigate inter-frequency conflicts while completing images in spatial domain. To address the inpainting inconsistency in different frequency bands and fuse features with distinct statistics, we design a novel normalization scheme that aligns and fuses the multi-frequency features effectively. Extensive experiments over multiple datasets show that WaveFill achieves superior image inpainting qualitatively and quantitatively.
Facial image inpainting is a problem that is widely studied, and in recent years the introduction of Generative Adversarial Networks, has led to improvements in the field. Unfortunately some issues persists, in particular when blending the missing pixels with the visible ones. We address the problem by proposing a Wasserstein GAN combined with a new reverse mask operator, namely Reverse Masking Network (R-MNet), a perceptual adversarial network for image inpainting. The reverse mask operator transfers the reverse masked image to the end of the encoder-decoder network leaving only valid pixels to be inpainted. Additionally, we propose a new loss function computed in feature space to target only valid pixels combined with adversarial training. These then capture data distributions and generate images similar to those in the training data with achieved realism (realistic and coherent) on the output images. We evaluate our method on publicly available dataset, and compare with state-of-the-art methods. We show that our method is able to generalize to high-resolution inpainting task, and further show more realistic outputs that are plausible to the human visual system when compared with the state-of-the-art methods.
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