No Arabic abstract
We propose a multimodal singing language classification model that uses both audio content and textual metadata. LRID-Net, the proposed model, takes an audio signal and a language probability vector estimated from the metadata and outputs the probabilities of the target languages. Optionally, LRID-Net is facilitated with modality dropouts to handle a missing modality. In the experiment, we trained several LRID-Nets with varying modality dropout configuration and tested them with various combinations of input modalities. The experiment results demonstrate that using multimodal input improves performance. The results also suggest that adopting modality dropout does not degrade the performance of the model when there are full modality inputs while enabling the model to handle missing modality cases to some extent.
We propose an algorithm that is capable of synthesizing high quality target speakers singing voice given only their normal speech samples. The proposed algorithm first integrate speech and singing synthesis into a unified framework, and learns universal speaker embeddings that are shareable between speech and singing synthesis tasks. Specifically, the speaker embeddings learned from normal speech via the speech synthesis objective are shared with those learned from singing samples via the singing synthesis objective in the unified training framework. This makes the learned speaker embedding a transferable representation for both speaking and singing. We evaluate the proposed algorithm on singing voice conversion task where the content of original singing is covered with the timbre of another speakers voice learned purely from their normal speech samples. Our experiments indicate that the proposed algorithm generates high-quality singing voices that sound highly similar to target speakers voice given only his or her normal speech samples. We believe that proposed algorithm will open up new opportunities for singing synthesis and conversion for broader users and applications.
In natural language processing (NLP), the semantic similarity task requires large-scale, high-quality human-annotated labels for fine-tuning or evaluation. By contrast, in cases of music similarity, such labels are expensive to collect and largely dependent on the annotators artistic preferences. Recent research has demonstrated that embedding calibration technique can greatly increase semantic similarity performance of the pre-trained language model without fine-tuning. However, it is yet unknown which calibration method is the best and how much performance improvement can be achieved. To address these issues, we propose using composer information to construct labels for automatically evaluating music similarity. Under this paradigm, we discover the optimal combination of embedding calibration which achieves superior metrics than the baseline methods.
Music Information Retrieval (MIR) technologies have been proven useful in assisting western classical singing training. Jingju (also known as Beijing or Peking opera) singing is different from western singing in terms of most of the perceptual dimensions, and the trainees are taught by using mouth/heart method. In this paper, we first present the training method used in the professional jingju training classroom scenario and show the potential benefits of introducing the MIR technologies into the training process. The main part of this paper dedicates to identify the potential MIR technologies for jingju singing training. To this intent, we answer the question: how the jingju singing tutors and trainees value the importance of each jingju musical dimension-intonation, rhythm, loudness, tone quality and pronunciation? This is done by (i) classifying the classroom singing practices, tutors verbal feedbacks into these 5 dimensions, (ii) surveying the trainees. Then, with the help of the music signal analysis, a finer inspection on the classroom practice recording examples reveals the detailed elements in the training process. Finally, based on the above analysis, several potential MIR technologies are identified and would be useful for the jingju singing training.
The fifth Oriental Language Recognition (OLR) Challenge focuses on language recognition in a variety of complex environments to promote its development. The OLR 2020 Challenge includes three tasks: (1) cross-channel language identification, (2) dialect identification, and (3) noisy language identification. We choose Cavg as the principle evaluation metric, and the Equal Error Rate (EER) as the secondary metric. There were 58 teams participating in this challenge and one third of the teams submitted valid results. Compared with the best baseline, the Cavg values of Top 1 system for the three tasks were relatively reduced by 82%, 62% and 48%, respectively. This paper describes the three tasks, the database profile, and the final results. We also outline the novel approaches that improve the performance of language recognition systems most significantly, such as the utilization of auxiliary information.
The quality of vocal delivery is one of the key indicators for evaluating teacher enthusiasm, which has been widely accepted to be connected to the overall course qualities. However, existing evaluation for vocal delivery is mainly conducted with manual ratings, which faces two core challenges: subjectivity and time-consuming. In this paper, we present a novel machine learning approach that utilizes pairwise comparisons and a multimodal orthogonal fusing algorithm to generate large-scale objective evaluation results of the teacher vocal delivery in terms of fluency and passion. We collect two datasets from real-world education scenarios and the experiment results demonstrate the effectiveness of our algorithm. To encourage reproducible results, we make our code public available at url{https://github.com/tal-ai/ML4VocalDelivery.git}.