Subscribe to the gold package and get unlimited access to Shamra Academy
Register a new userCDPAM: Contrastive learning for perceptual audio similarity
174
0
0.0
(
0
)
Ask ChatGPT about the research
No Arabic abstract
Many speech processing methods based on deep learning require an automatic and differentiable audio metric for the loss function. The DPAM approach of Manocha et al. learns a full-reference metric trained directly on human judgments, and thus correlates well with human perception. However, it requires a large number of human annotations and does not generalize well outside the range of perturbations on which it was trained. This paper introduces CDPAM, a metric that builds on and advances DPAM. The primary improvement is to combine contrastive learning and multi-dimensional representations to build robust models from limited data. In addition, we collect human judgments on triplet comparisons to improve generalization to a broader range of audio perturbations. CDPAM correlates well with human responses across nine varied datasets. We also show that adding this metric to existing speech synthesis and enhancement methods yields significant improvement, as measured by objective and subjective tests.
rate research
Read More
Automated Audio captioning (AAC) is a cross-modal translation task that aims to use natural language to describe the content of an audio clip. As shown in the submissions received for Task 6 of the DCASE 2021 Challenges, this problem has received increasing interest in the community. The existing AAC systems are usually based on an encoder-decoder architecture, where the audio signal is encoded into a latent representation, and aligned with its corresponding text descriptions, then a decoder is used to generate the captions. However, training of an AAC system often encounters the problem of data scarcity, which may lead to inaccurate representation and audio-text alignment. To address this problem, we propose a novel encoder-decoder framework called Contrastive Loss for Audio Captioning (CL4AC). In CL4AC, the self-supervision signals derived from the original audio-text paired data are used to exploit the correspondences between audio and texts by contrasting samples, which can improve the quality of latent representation and the alignment between audio and texts, while trained with limited data. Experiments are performed on the Clotho dataset to show the effectiveness of our proposed approach.
Music similarity search is useful for a variety of creative tasks such as replacing one music recording with another recording with a similar feel, a common task in video editing. For this task, it is typically necessary to define a similarity metric to compare one recording to another. Music similarity, however, is hard to define and depends on multiple simultaneous notions of similarity (i.e. genre, mood, instrument, tempo). While prior work ignore this issue, we embrace this idea and introduce the concept of multidimensional similarity and unify both global and specialized similarity metrics into a single, semantically disentangled multidimensional similarity metric. To do so, we adapt a variant of deep metric learning called conditional similarity networks to the audio domain and extend it using track-based information to control the specificity of our model. We evaluate our method and show that our single, multidimensional model outperforms both specialized similarity spaces and alternative baselines. We also run a user-study and show that our approach is favored by human annotators as well.
We explore self-supervised models that can be potentially deployed on mobile devices to learn general purpose audio representations. Specifically, we propose methods that exploit the temporal context in the spectrogram domain. One method estimates the temporal gap between two short audio segments extracted at random from the same audio clip. The other methods are inspired by Word2Vec, a popular technique used to learn word embeddings, and aim at reconstructing a temporal spectrogram slice from past and future slices or, alternatively, at reconstructing the context of surrounding slices from the current slice. We focus our evaluation on small encoder architectures, which can be potentially run on mobile devices during both inference (re-using a common learned representation across multiple downstream tasks) and training (capturing the true data distribution without compromising users privacy when combined with federated learning). We evaluate the quality of the embeddings produced by the self-supervised learning models, and show that they can be re-used for a variety of downstream tasks, and for some tasks even approach the performance of fully supervised models of similar size.
We learn audio representations by solving a novel self-supervised learning task, which consists of predicting the phase of the short-time Fourier transform from its magnitude. A convolutional encoder is used to map the magnitude spectrum of the input waveform to a lower dimensional embedding. A convolutional decoder is then used to predict the instantaneous frequency (i.e., the temporal rate of change of the phase) from such embedding. To evaluate the quality of the learned representations, we evaluate how they transfer to a wide variety of downstream audio tasks. Our experiments reveal that the phase prediction task leads to representations that generalize across different tasks, partially bridging the gap with fully-supervised models. In addition, we show that the predicted phase can be used as initialization of the Griffin-Lim algorithm, thus reducing the number of iterations needed to reconstruct the waveform in the time domain.
In this paper, we investigate the potential effect of the adversarially training on the robustness of six advanced deep neural networks against a variety of targeted and non-targeted adversarial attacks. We firstly show that, the ResNet-56 model trained on the 2D representation of the discrete wavelet transform appended with the tonnetz chromagram outperforms other models in terms of recognition accuracy. Then we demonstrate the positive impact of adversarially training on this model as well as other deep architectures against six types of attack algorithms (white and black-box) with the cost of the reduced recognition accuracy and limited adversarial perturbation. We run our experiments on two benchmarking environmental sound datasets and show that without any imposed limitations on the budget allocations for the adversary, the fooling rate of the adversarially trained models can exceed 90%. In other words, adversarial attacks exist in any scales, but they might require higher adversarial perturbations compared to non-adversarially trained models.
suggested questions
Log in to be able to interact and post comments
comments
Fetching comments
Sign in to be able to follow your search criteria
