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Register a new userDetecting expressions with multimodal transformers
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Developing machine learning algorithms to understand person-to-person engagement can result in natural user experiences for communal devices such as Amazon Alexa. Among other cues such as voice activity and gaze, a persons audio-visual expression that includes tone of the voice and facial expression serves as an implicit signal of engagement between parties in a dialog. This study investigates deep-learning algorithms for audio-visual detection of users expression. We first implement an audio-visual baseline model with recurrent layers that shows competitive results compared to current state of the art. Next, we propose the transformer architecture with encoder layers that better integrate audio-visual features for expressions tracking. Performance on the Aff-Wild2 database shows that the proposed methods perform better than baseline architecture with recurrent layers with absolute gains approximately 2% for arousal and valence descriptors. Further, multimodal architectures show significant improvements over models trained on single modalities with gains of up to 3.6%. Ablation studies show the significance of the visual modality for the expression detection on the Aff-Wild2 database.
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This paper presents an audio visual automatic speech recognition (AV-ASR) system using a Transformer-based architecture. We particularly focus on the scene context provided by the visual information, to ground the ASR. We extract representations for audio features in the encoder layers of the transformer and fuse video features using an additional crossmodal multihead attention layer. Additionally, we incorporate a multitask training criterion for multiresolution ASR, where we train the model to generate both character and subword level transcriptions. Experimental results on the How2 dataset, indicate that multiresolution training can speed up convergence by around 50% and relatively improves word error rate (WER) performance by upto 18% over subword prediction models. Further, incorporating visual information improves performance with relative gains upto 3.76% over audio only models. Our results are comparable to state-of-the-art Listen, Attend and Spell-based architectures.
With the development of deep learning and artificial intelligence, audio synthesis has a pivotal role in the area of machine learning and shows strong applicability in the industry. Meanwhile, significant efforts have been dedicated by researchers to handle multimodal tasks at present such as audio-visual multimodal processing. In this paper, we conduct a survey on audio synthesis and audio-visual multimodal processing, which helps understand current research and future trends. This review focuses on text to speech(TTS), music generation and some tasks that combine visual and acoustic information. The corresponding technical methods are comprehensively classified and introduced, and their future development trends are prospected. This survey can provide some guidance for researchers who are interested in the areas like audio synthesis and audio-visual multimodal processing.
While there has been substantial amount of work in speaker diarization recently, there are few efforts in jointly employing lexical and acoustic information for speaker segmentation. Towards that, we investigate a speaker diarization system using a sequence-to-sequence neural network trained on both lexical and acoustic features. We also propose a loss function that allows for selecting not only the speaker change points but also the best speaker at any time by allowing for different speaker groupings. We incorporate Mel Frequency Cepstral Coefficients (MFCC) as an acoustic feature alongside lexical information that are obtained from conversations from the Fisher dataset. Thus, we show that acoustics provide complementary information to the lexical modality. The experimental results show that sequence-to-sequence system trained on both word sequences and MFCC can improve on speaker diarization result compared to the system that only relies on lexical modality or the baseline MFCC-based system. In addition, we test the performance of our proposed method with Automatic Speech Recognition (ASR) transcripts. While the performance on ASR transcripts drops, the Diarization Error Rate (DER) of our proposed method still outperforms the traditional method based on Bayesian Information Criterion (BIC).
Target speech separation refers to extracting a target speakers voice from an overlapped audio of simultaneous talkers. Previously the use of visual modality for target speech separation has demonstrated great potentials. This work proposes a general multi-modal framework for target speech separation by utilizing all the available information of the target speaker, including his/her spatial location, voice characteristics and lip movements. Also, under this framework, we investigate on the fusion methods for multi-modal joint modeling. A factorized attention-based fusion method is proposed to aggregate the high-level semantic information of multi-modalities at embedding level. This method firstly factorizes the mixture audio into a set of acoustic subspaces, then leverages the targets information from other modalities to enhance these subspace acoustic embeddings with a learnable attention scheme. To validate the robustness of proposed multi-modal separation model in practical scenarios, the system was evaluated under the condition that one of the modalities is temporarily missing, invalid or corrupted. Experiments are conducted on a large-scale audio-visual dataset collected from YouTube (to be released) that spatialized by simulated room impulse responses (RIRs). Experiment results illustrate that our proposed multi-modal framework significantly outperforms single-modal and bi-modal speech separation approaches, while can still support real-time processing.
Immersive audio-visual perception relies on the spatial integration of both auditory and visual information which are heterogeneous sensing modalities with different fields of reception and spatial resolution. This study investigates the perceived coherence of audiovisual object events presented either centrally or peripherally with horizontally aligned/misaligned sound. Various object events were selected to represent three acoustic feature classes. Subjective test results in a simulated virtual environment from 18 participants indicate a wider capture region in the periphery, with an outward bias favoring more lateral sounds. Centered stimulus results support previous findings for simpler scenes.
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