Subscribe to the gold package and get unlimited access to Shamra Academy
Register a new userStylized Neural Painting
321
0
0.0
(
0
)
Added by
Zhengxia Zou
Publication date
2020
fields
Informatics Engineering
and research's language is
English
Authors
Zhengxia Zou
Ask ChatGPT about the research
No Arabic abstract
This paper proposes an image-to-painting translation method that generates vivid and realistic painting artworks with controllable styles. Different from previous image-to-image translation methods that formulate the translation as pixel-wise prediction, we deal with such an artistic creation process in a vectorized environment and produce a sequence of physically meaningful stroke parameters that can be further used for rendering. Since a typical vector render is not differentiable, we design a novel neural renderer which imitates the behavior of the vector renderer and then frame the stroke prediction as a parameter searching process that maximizes the similarity between the input and the rendering output. We explored the zero-gradient problem on parameter searching and propose to solve this problem from an optimal transportation perspective. We also show that previous neural renderers have a parameter coupling problem and we re-design the rendering network with a rasterization network and a shading network that better handles the disentanglement of shape and color. Experiments show that the paintings generated by our method have a high degree of fidelity in both global appearance and local textures. Our method can be also jointly optimized with neural style transfer that further transfers visual style from other images. Our code and animated results are available at url{https://jiupinjia.github.io/neuralpainter/}.
rate research
Read More
Neural painting refers to the procedure of producing a series of strokes for a given image and non-photo-realistically recreating it using neural networks. While reinforcement learning (RL) based agents can generate a stroke sequence step by step for this task, it is not easy to train a stable RL agent. On the other hand, stroke optimization methods search for a set of stroke parameters iteratively in a large search space; such low efficiency significantly limits their prevalence and practicality. Different from previous methods, in this paper, we formulate the task as a set prediction problem and propose a novel Transformer-based framework, dubbed Paint Transformer, to predict the parameters of a stroke set with a feed forward network. This way, our model can generate a set of strokes in parallel and obtain the final painting of size 512 * 512 in near real time. More importantly, since there is no dataset available for training the Paint Transformer, we devise a self-training pipeline such that it can be trained without any off-the-shelf dataset while still achieving excellent generalization capability. Experiments demonstrate that our method achieves better painting performance than previous ones with cheaper training and inference costs. Codes and models are available.
This document introduces the background and the usage of the Dunhuang Grottoes Dataset and the benchmark. The documentation first starts with the background of the Dunhuang Grotto, which is widely recognised as an priceless heritage. Given that digital method is the modern trend for heritage protection and restoration. Follow the trend, we release the first public dataset for Dunhuang Grotto Painting restoration. The rest of the documentation details the painting data generation. To enable a data driven fashion, this dataset provided a large number of training and testing example which is sufficient for a deep learning approach. The detailed usage of the dataset as well as the benchmark is described.
We investigate using reinforcement learning agents as generative models of images (extending arXiv:1804.01118). A generative agent controls a simulated painting environment, and is trained with rewards provided by a discriminator network simultaneously trained to assess the realism of the agents samples, either unconditional or reconstructions. Compared to prior work, we make a number of improvements to the architectures of the agents and discriminators that lead to intriguing and at times surprising results. We find that when sufficiently constrained, generative agents can learn to produce images with a degree of visual abstraction, despite having only ever seen real photographs (no human brush strokes). And given enough time with the painting environment, they can produce images with considerable realism. These results show that, under the right circumstances, some aspects of human drawing can emerge from simulated embodiment, without the need for external supervision, imitation or social cues. Finally, we note the frameworks potential for use in creative applications.
Clustering artworks is difficult for several reasons. On the one hand, recognizing meaningful patterns in accordance with domain knowledge and visual perception is extremely difficult. On the other hand, applying traditional clustering and feature reduction techniques to the highly dimensional pixel space can be ineffective. To address these issues, we propose to use a deep convolutional embedding model for digitized painting clustering, in which the task of mapping the raw input data to an abstract, latent space is jointly optimized with the task of finding a set of cluster centroids in this latent feature space. Quantitative and qualitative experimental results show the effectiveness of the proposed method. The model is also capable of outperforming other state-of-the-art deep clustering approaches to the same problem. The proposed method can be useful for several art-related tasks, in particular visual link retrieval and historical knowledge discovery in painting datasets.
While most image captioning aims to generate objective descriptions of images, the last few years have seen work on generating visually grounded image captions which have a specific style (e.g., incorporating positive or negative sentiment). However, because the stylistic component is typically the last part of training, current models usually pay more attention to the style at the expense of accurate content description. In addition, there is a lack of variability in terms of the stylistic aspects. To address these issues, we propose an image captioning model called ATTEND-GAN which has two core components: first, an attention-based caption generator to strongly correlate different parts of an image with different parts of a caption; and second, an adversarial training mechanism to assist the caption generator to add diverse stylistic components to the generated captions. Because of these components, ATTEND-GAN can generate correlated captions as well as more human-like variability of stylistic patterns. Our system outperforms the state-of-the-art as well as a collection of our baseline models. A linguistic analysis of the generated captions demonstrates that captions generated using ATTEND-GAN have a wider range of stylistic adjectives and adjective-noun pairs.
Log in to be able to interact and post comments
comments
Fetching comments
Sign in to be able to follow your search criteria
